Tag Archives: nabu

Reviving the Secret Anunnaki Tradition of Babylon : ‘Mardukite Core’ 10th Anniversary “Gates of the Necronomicon”

“The first religious, spiritual and occult systems — those appearing in their original form as the mystical traditions of Mesopotamia — were rooted in a sacred relationship established between humans and gods. All of the original spiritual traditions, or “magic”, on the planet — the basis for everything manifesting after the fact — was rooted simply in ‘service’ to the gods. Specific priests and priest-kings were selected by ancient ‘laws’ set down by the Anunnaki, and their function was to serve as an intermediary, to stand between the general human population of ‘earth’ and the sky gods of ‘heaven’.” —JOSHUA FREE

[This mardukite blog post quotes Joshua Free from a live workshop regarding the ‘Mardukite Core’ given on November 15, 2009 while visiting the Pacific Northwest, networking in the underground occult community for the original release of the Year-1 ‘Mardukite Core’ as NECRONOMICON: THE ANUNNAKI BIBLE, when the Year-2 GATES OF THE NECRONOMICON materials were about to be first developed.]

“It was only during the later evolution of these system-based traditions over thousands of years that resulted in the more ‘kabbalistic’ approaches available to modern seekers today — and this myriad of possible forms is so wrapped up in numerous progressive attempts drawn from human consciousness (and the perspective of the ‘observer’) that one could spend literally multiple human lifetimes in their unraveling — because the cumulative ‘systems’ have simply grown that big, by necessity of course; we just can’t have ‘free spirits’ coming in and out of reality all the time! We just can’t have it. This all being said — the initial effort made in reconstructing a spiritual tradition toward the original Sumerian Anunnaki is first and foremost to ‘establish and maintain a self-honest relationship’ with the Anunnaki. In terms of the Mardukite effort, we have retained the original semantics used by the Sumerians who first encountered these beings: ANUNNAKI.”

“The word ANUNNAKI is Sumerian — or Akkadian — in origin and means in one sense literally “heaven came to earth” and is interpreted by Zecharia Sitchin as “those who came down from heaven to earth” or else sky gods. In the past it has also been translated by scholars to mean “those who decree (cut) the fates,” or else “divine judges.” There are actually references to ‘Seven Judges’ on several ancient cuneiform incantation tablets. But these tablets also indicate that the Anunnaki seeded not only the ‘genetics’ of early modern humans but also the infrastructure — societal systems of human civilization — an evolution of the same systems and an extension of the same civilization that humans experience today! For many, the journey will end right there — for the way ahead in all of this appears too difficult or obscure…the esoteric and occult is called what it is for a reason, and will always be understood by the few, outside and apart from public (mass) opinion and scrutiny. For there is much simply not worth taking time to debate. There are many people who will simply not choose to know — comfortable as they are with the worldview they have already found.”

The emphasis of the “Year-1” Mardukite Chamberlains work — or ‘Mardukite Core’ — compiled in its entirety for NECRONOMICON: THE ANUNNAKI BIBLE is specifically what could be considered “Mardukite” from an Egypto-Babylonian perspective. The works reviewed are the most famous and influential to come form NABU’s (Son of MARDUK) ‘Order of Priest-Scribes’ in ancient post-Sumerian Babylon — where cuneiform clay tablets were forged to show the Anunnaki deity MARDUK as supreme. In regards to the Anunnaki pantheon, a “Sumerian” background [relayed in Year-2 work, such as Liber-50, contained in GATES OF THE NECRONOMICON or THE SUMERIAN LEGACY by Joshua Free] will almost undermine ‘legitimacy’ concerning newer Babylonian hierarchies of the Anunnaki — a “Sumerian Secret” concealed in the Babylonian renderings emphasized in the “Year-1” reflection of a pure “Babylon-through-Babylonian-eyes.”

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SORCERER’S HANDBOOK – “Merlyn Stone” Legacy 20th Anniversary, Early Origins : Arcanum and Mardukite Necronomicon by Joshua Free

The SORCERER’S HANDBOOK OF MERLYN STONE returns for a special 20th Anniversary commemoration after this underground cult classic reached thousands of copies in circulation! …and as a fan-appreciation bonus, this deluxe edition is publicly available at the original 1998 retail price!

Prolific author, underground occult expert and founder of the modern Mardukite Anunnaki movement — JOSHUA FREE — reveals unique details about developing this amazing work as a teenager in the 1990’s, writing as “Merlyn Stone” at the forefront of the new millennium “magick” scene:

“During the 1990’s, public interest in ‘magick’ and ‘occult’ subjects exponentially rose to new heights as few could have anticipated. I appeared on the “New Age” scene – however much ‘underground’ – in 1995 as ‘Merlyn Stone.‘ As I have explained to others and in my recent autobiographical narrative, NABU SPEAKS!, the name was chosen for personal reasons and not as a tribute to the female author (Merlin Stone) of whom I had not even heard of at that time. My research revealed that ‘Merlyn‘ is not really a proper name, although it has been used to refer to particular figures (or a figure) in history, it is actually a title – a Welsh title – that can be best equated to what you might know as a seer or prophet. The contemporary reader may be more familiar with the Judeo-Christian religious context of the title, which in Hebrew is nabih, derived from the Babylonian name: Nabu – a name that many know me as today.”

“As far as I could observe, however, it was 1995 that provided the largest shift. I took a step back, observing the wide-angle, and I saw the prominence of the newly released motion picture The Craft coupled with Sabrina the Teenage Witch as the featured ‘after-school-special’ of the day. Clearly the coast was clear and it was time to come out – come awake!”

Merlyn Stone
(Joshua Free)

“While I was not alone in hearing this ‘call’, the work I had to do – the program I was here to follow – was not something readily understandable to the population – even a “New Age” one. The plans were laid before I ever showed up in this life, but patience was key as was watching for the signposts and keeping my head down. It was going to take everything to bring the work to the heights it can now be found in, but in the 1990’s, the world was not ready for what I had to say concerning the origins of ‘magick’ and the “Mardukite” legacy, so I had to start at the beginning – to build a basis – to work from the foundation rock or stone.”

“All of my original ‘writings’ related to the occult field were actually the subject of ‘in-house’ materials prepared for working groups and research oriented studies that I was personally involved with – and often the ‘founder’ of. I began this work publicly in 1995 and it has now been over twenty years since – half of my current existence. It has taken many forms, though it was easiest for me to begin with that which would be most familiar to my target demographic: esotericists, occult practitioners and the up and coming alien youth that usually had inclinations toward the “New Age” naturally.”

“In 1995, the world was not ready for MARDUKITES. I worked within the paradigms that were much more accessible and did not require a lot of ‘cultural background’ – ritual magick, spellcraft, high psychology and even the ceremonial systems. Additionally, two methodologies I was most concerned with connecting later planned work (now known as “Mardukite”) were Pheryllt Druid material of Douglas Monroe and also “Simon’sNecronomicon, rooted in Mesopotamia.”

“From 1995 through 1999, I assisted in producing not only several ritual collections or ‘Book of Shadows’ for practicing underground groups but also led my own operating and experimental groups and even taught workshops and gave lectures in local Denver-area bookstores and New Age outlets. The sum of all this was collected as the SORCERER’S HANDBOOK OF MERLYN STONE, with additional materials later produced and known now as the Lost Books of Merlyn Stone. Some of these later notebooks and contributions were commissioned for private use or small groups, but even all these twenty years later, some of the records still remain and I have chosen to append them to the traditional presentation of the SORCERER’S HANDBOOK for this twentieth anniversary presentation.”

“Simultaneously revolutionary and introductory in its presentation, the SORCERER’S HANDBOOK OF MERLYN STONE is the inspirational precursor to the materials I later developed more thoroughly in order to establish the “Mardukite” brand of occult interpretation
– mainly ARCANUM: THE GREAT MAGICAL ARCANUM, BOOK OF ELVEN-FAERIE and NECRONOMICON ANUNNAKI BIBLE. These other works represent a more mature development of my contributions from early adulthood, but the Sorcerer’s Handbook of Merlyn Stone and the Lost Books still remain as distant origins to my more recent and better recognized work.”

For centuries, the realm of magick has been sought, and finally what the world awaited for has arrived; a book that tells it all without the unnecessary occult jargon allowing for the quickest personal results in training and development. Just a few of the many topics explored are ritual spellcraft, candle magick, ceremonial high magick, tarot divination, the magick of the Golden Dawn, the complete Enochian arts and yes, even the Necronomicon! Now you can master the powers of magick with a book that has changed the world, launching hundreds of traditions in over a decade! — SORCERER’S HANDBOOK – 20TH ANNIVERSARY EDITION

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Real Ancient Magic Rites & Rituals – Incantation of Eridu, The Deep of Enki | Sumerian Babylonian Mesopotamian

Through Marduk, the power of Eridu – incantation-prayer – was taught to the scribes of Nabu and the Mardukite Priests, who were taught to attract and compel the ‘gods’ in the name of Marduk, always incanting the word-formula of the highest order: Nabu invoked by way of the name of Marduk; Marduk invoked by way of the name of Enki, Our Father, who in turn would invoke by the name of Anu – and so was born the concept of magical hierarchies, an ideal that was convoluted and obscured when employed later (during the Middle Ages and such), particularly distorted by the Judeo-Christian paradigm as evident in many popular grimoires
–The Book of Marduk by Nabu

Many version of Erudite magic may be found through the Mesopotamian ‘spiritual’ (or ‘magical’) cuneiform texts. The incantation tablets from the ‘Mardukite’ Babylonian Anunnaki tradition, specifically those used and forged by scribe-priests of the Order of Nabu, are invoked from the ‘perspective’ (authority) of NABU – as was the tradition learned verbatim from MARDUK. In both scholarly and esoteric ‘Mardukite’ texts, the ‘Opening Ritual’ of Mardukite magic is derived from the source titled: “The Incantation of Eridu.”

JOSHUA FREE explains this magic in the Liber-50 material released as SUMERIAN RELIGION by Joshua Free, also available in the Year-2 Mardukite Core Anthology GATES OF THE NECRONOMICON edited by Joshua Free.

Perhaps the most fundamental ‘formula’ of the magical system in Babylonia, if there is one, goes back to the heart of the system born of the scribe-priests and the figures who brought this system about – NABU and the appropriation of his father, MARDUK as the chief director. This is the spiritual acknowledgment alluded to by the Incantation of Eridu, also known as the ‘Incantation of the Priest of Eridu’ (Eridu being the shrine-home of ENKI), or the ‘Incantation of the Deep’, which simply refers to another name for the far-away abode of ENKI near the Persian Gulf.

Ceremonial activation of the ‘birthright’ of Anunnaki power sealed in Eridu (and then in Babylon) allows a practitioner to assume the representative form of the “ Priest of Eridu,” a title first bestowed upon MARDUK by ENKI, then passed onto NABU during the solidification and heights of the Babylonian era. The esoteric key in effect here is that the priest conducts the incantations (ceremony) as the embodiment of an intermediary ‘messenger’ deity – the original semantic of the word “invocation” – thereby directing the cosmic (world) order, in essence, first hand.

The magician approaches his deity as himself – a servant priest – and petitions to assume the godform, whereby he continues the ceremony as a divine representation of the god ‘invoked’. An almost identical principle appears within Semitic mysticism and the Judeo-Kabbalah – an excellent example being found in contemporary Catholicism, when the priest ‘assumes the Christ-form’ to effectively perform a perceived alchemical transmutation on the sacramental bread and wine, conducted as a representative of Jesus on earth, in imitation (dramatic reenactment) of the Last Supper.

In the ‘Mardukite’ system observed in Babylon, the god being invoked is MARDUK. This is affirmed with the priest’s first utterance of: “It is not I, but Marduk, who speaks the incantation.” And from then on the system is sealed and readied for use by the Mardukite devotee. Consider the lines in this conjuration, adapted from the Mardukite Tablet-Y in NECRONOMICON ANUNNAKI BIBLE edited by Joshua Free:

It is not I, but Marduk, Slayer of Serpents,
Who summons thee.
It is not I, but Enki, Father of the Magicians,
Who calls thee here now.

An examination of the remaining lines of the ‘Incatation of Eridu’ appears here, though the “Mardukite” version is given fully in the Tablet-Y Series. As described, the ritual operates as if from the perspective of NABU (speaking for MARDUK). Though variations exist across the opening lines of several Assyrian “exorcisms,” one key tablet example – translated by R.C. Thompson as his “Tablet N” for Devils and Evil Spirits of Babylonia (1903) – relates:

The Priest of E.A. [Enki] am I.
The priest of Damkina [Ninki] am I.
The messenger [Nabu] of Marduk am I.
My spell is the spell of E.A [Enki].
My incantation is the incantation of Marduk.
The ‘magic circle’ of EA [Enki] is in my hand.
The tamarask (of Anu), in my hand, I hold.

From the modernized Mardukite version, the opening lines read (from Tablet-Y in Necronomicon Anunnaki Bible):

I am the Priest of Marduk,
Son of Our Father, Enki.
I am the Priest of Eridu,
And the Magician of Babylon

The Assyrian version continues humbly as follows:

EA [Enki], King of the Deep
See me favorably.
I, the magician, am thy slave.
March thou on my right hand,
Assist me on my left;
Add thy pure spell to mine.
Add thy pure voice to mine.
O god that blesses me, Marduk,
Let me be blessed, wherever my path rests.
Thy power, shall god and man proclaim.
And I too, the magician, thy slave

E.A. Budge transliterates an older version for Babylonian Life & History (1883) and we see a slightly different method for petitioning the “younger pantheon” to the side of the priest:

I am the Priest of EA [Enki].
I am the Magician of Eridu.
Shammash [Samas] is before me.
Sin [Nanna] is behind me.
Nergal is at my right hand.
Ninurta is at my left hand

Later added to this, the modern Mardukite version appends:

Anu, above me, King of Heaven.
Enki, below me, King of the Deep.
The power [blood] of Marduk is within me.
It is not I, but Marduk, who performs the incantation.

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BABYLONIAN MAGIC – Ancient Art of Priests, Kings & Magicians Revealed! by Joshua Free

“Systematic traditions, ‘hermetically sealed’ within themselves, rose from the Semitic grimoire-styled ceremonial magic, not surprisingly influenced by ‘Egypto-Babylonian’ forms of ritual magic (first the domain of Enki but later passed into the possession of Marduk and his scribe-son Nabu). The priest-magicians of Babylon would not actually have personally used a grimoire-like magic themselves, as this was not their way. At best, they would invoke the powers of the Anunnaki with incantations in the name of Marduk – but this manner of using the ‘secret names’ as properties of Marduk, or any other demigod, was a much more recent addition to the system…” –Joshua Free

[This blog-post appears courtesy of Mardukite Liber-51/52 available within the NEW Deluxe Edition of Sumerian Religion by Joshua Free. These materials are also available in the Year-2 Mardukite Anthology: Gates of the Necronomicon.]

During the era of the first ziggurat temples – the Anunnaki age – all of the magic constituted the ‘spiritual assistance’ that was governed by the state, ruled by priest-kings and temple attendants. The ‘mystics’ of Babylonia were all employed by the temples and scribe-houses, though there were undoubtedly those who confined themselves to their arts in the outlands, beyond the awareness of the societal realm.

The peasant class, however, did not practice much by way of ‘magic’ (as classified by anthropologists) outside of their own personal religious devotions, which in itself was mostly restricted to hymns and prayers learned from the temples. These personal devotions were also completely inclination-based, as there does not appear to be any prescribed devotional method or temple attendance required of a Babylonian citizen, nor even participation in national festivals.

Access to the ‘incantation-prayers’ of the priests were also not generally given to just anyone – and you had to be able to read them, or at the very least memorize them. General collections of these tablets were seldom kept, with the exception of priest-kings who might house their own personal libraries. An example: the Kuyunjik collection, called nis-kati (preserved in the British Museum) which was the private property of the Assyrian king Ashurbanipal.

The Altar of Offering set before the ‘Boat of the Gods’ (imagery also appearing in the Egyptian Tradition – a ‘Boat of the Gods’ carrying seven figures – e.g. the Seven Anunnaki Gods of the Babylonian ‘Younger Generation’) was also located at the official shrines – although personal altars could surely be constructed by a devotee appealing to their god, this would come much later during an era of ‘figurative mysticism’ because originally, these offerings would be physically received by a god in person, or via their ‘priestly secretaries’.

Common religious offerings included food and drink, incense and oil, even lavish jewelry and clothing – which were carried up the ziggurat steps of the ‘ladder to heaven’ to be placed before the feet of the god, or at the very least, at his ‘boat’ to be lifted to them.

When the appearance of the gods, themselves, was not present, it was customary to have an official piece of statuary left in there place. This became more and more figurative with the passage of time, and it is easy to see how many of these originating concepts evolved into later magical and religious practices – which were one and the same at their start.

Gold and lapis lazuli commonly appear as both ‘magical ritual aids’ and prestigious offerings to the ‘gods’ via their temples. Wands, necklaces and bags of loose lapis are often mentioned in esoteric texts (cuneiform tablets) from the Mesopotamians, in addition to golden rings and ‘amulet-plates’ marked with specific seals and cuneiform glyphs. Practical “underground” investigations into this type of work later developed into a modern standard used by the Mardukites who practice a contemporary Babylonian tradition, making use of illustrated sigil-seals and cuneiform signatures of the seven of the “Younger Generation” (as well as the Supernal Trilogy) – making ten sets in total. (See also the Necronomicon Anunnaki Bible and/or Book of Marduk by Nabu.)

Implementation of a practical magical system from the Babylonian ideal is somewhat different than what the contemporary mind, even an ‘esoteric’ one, is fundamentally familiar with. As opposed to the later magicians who appear to have had to connive and fool the hierarchies of spirits into assisting them, threatening them and even in fear of some retroactive revenge – the original magical system used by the priests of Babylonia was rooted in the deep personal relationship – running as deep as blood – that the Sumerian priest-kings and Mardukite NABU priest-scribes maintained with the sources of not only their religious power, but the basis of the entire system of civilization that allowed the progression of the human species into today.

All of this, according to tradition, resided in the influence of the Anunnaki gods – and the priest-kings and scribes were installed to be sure no one forgot this…

DISCOVER EVEN MORE IN THE NEW DELUXE EDITION OF SUMERIAN RELIGION BY JOSHUA FREE!

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Mardukite 9th Anniversary Celebrated with NEW edition of “History of the Necronomicon” Anthology

Greetings Seeker:

The legacy surrounding the modern Mardukite movement has now reached epic proportions, surpassing any original “mortal” expectations from those involved at its inception. I knew better and held high prophetic aspirations toward my efforts brought to the public nearly a decade ago with the underground release of the first two ‘Mardukite Truth Seeker Press‘ publications – “Arcanum” (Liber A) and “Book of Elven-Faerie” (Liber D) on the 2008 Summer Solstice. The whole research organization, underground network, magical order and permanent establishment of the “New Babylon Desert Preserve” in southern Colorado all exploded out of these two books.

After founding the Mardukite Ministries in 2008. a research collective of diverse individuals from all walks of life found themselves drafted into ranks of the “Mardukite Chamberlains” over the next four years. Each year, Mardukite Truth Seeker Press would release a trilogy or series of materials that have since found their way into annual anthologies – perhaps most famous and widely circulated of them being the (Year-1) “Necronomicon Anunnaki Bible.” Completing
the archival library, the fourth and final of these cycles (Year-4) is collected in the anthological tome: HISTORY OF THE NECRONOMICON.

Although all three books composing HISTORY OF THE NECRONOMICON are stand-alone titles, they represent three keys to uncovering the final mystery, the ultimate “secrets” of the “Necronomicon,” meaning those very powers and forces that have been interacting with kings, priests, mystics, poets, magicians and occultists for thousands of years, since the dawn of ancient Mesopotamia and the birth of the Sumerian and Babylonian cultures – though we could say the birthplace of human civilization as we know it today and its systems. To fully make use of any magics and to base reality on any beliefs, the cycle must be closed with relevant answers – and the Mardukite HISTORY OF THE NECRONOMICON provides these.

Since the original release of the HISTORY OF THE NECRONOMICON anthology in 2012, stand-alone titles of the material have since seen updated editions, including the Fifth Anniversary publication of “Enochian Magic & Kabbalah” (Liber K) and “Crossing to the Abyss” (Liber 555). Materials for Liber-555 also appeared as “Stargate to the Abyss” and “Necronomicon for Beginners” simultaneously in 2012. All of this, in addition to the critical reflective narrative adapted from “Nabu Speaks!” (Liber 12) is revealed within HISTORY OF THE NECRONOMICON.


Whether you happen upon “History of the Necronomicon” as your introduction to the Mardukite paradigm or have been long-awaiting to complete your archival library with the final revisions of the Mardukite Core, this anthology is sure to change the way you see history, life, the Universe …and most importantly, your Self.


HISTORY OF THE NECRONOMICON
The Secret Evolution of Ancient Anunnaki Traditions
by Joshua Free

2012 — Complete Year-4 Liber-K,555,12A

SECOND EDITION — mardukite.com exclusive

A superior collection of controversial underground materials relaying an amazing synthesis of the secret evolution of Anunnaki traditions — both ancient and modern.

The new second edition of the complete Mardukite Year-4 (2012) Anthology revised in honor of the Mardukite 9th Anniversary and produced in serial with the annual anthologies of the Mardukite Core: Year-1 “Necronomicon Anunnaki Bible” (2009), Year-2 “Gates of the Necronomicon” (2010) and Year-3 “Necronomicon Grimoire” (2011).

Joshua Free’s underground classic “History of the Necronomicon” includes all materials from “Enochian Magic & The Kabbalah” (Liber-K), “Stargate to the Abyss” (Liber 555) and “Nabu Speaks: Of Babylon & Egypt” (Liber-12A).

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Ancient Mardukite Prophecies Fulfilled! 2017 New Year, New Babylon Rises! Nabu Gate & Marduk Temple

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“In my city of Babylon — the Gateway of the Gods — my prophet-son resides, my hand he grasps. The King & Prophet enter as New Babylon Rises. In my city before me, my Temple shall be erected anew. In my city — in my temple — the ‘Temple Like a Mountain’ shall be renewed. The Dur-An-Ki plans are set. Until the End-of-Days, I shall be there in the ‘House in the Heights’ and at the End-of-Ages, my Stargate will be opened…”
–The Marduk Prophecies c.2017 BC

templemardukmodel Many chronicles exist of ancient Mesopotamia from cuneiform tablet annals and interpretations brought to the public from the Mardukite Research Organization & Publishing Group… but our efforts have never been restricted to purely academic or literary ventures. Complimenting the offbeat off-the-wall approach taken by our official spokesman, NABU JOSHUA FREE, our unique non-secular non-sectarian “organization” has conducted many esoteric occult and covert “experiments” in global reform, blatantly since 2008.

One such cumulative effort is the reestablishment of a New Babylon Rising — and here we are in the 40th Year of the New Age of Marduk (begun in 1977). We are in the same circumstances now, in 21st Century AD as we once were in the 21st Century BC and above all, the prophetic raising of the Marduk Temple and Nabu Gate for a New Age — a New Babylon Rising — is now upon us!

templemardukthenandnow

JUNE 2016Summer Solstice and 8th Anniversary of Mardukite Ministries — a late-model winnebago RV was obtained by the Mardukite Research Organization from SF Bay (Cali) to establish a mobile office for the Mardukite Publishing Company in addition to the NABU GATE & LIBRARY to a very real and physical MARDUK TEMPLE SANCTUARY for a New Babylonian Rising.

And this is only the beginning…

templemardukconstruction1

Mardukite Spokesman, NABU JOSHUA FREE and domestic partner CyberVamps DJ KYRA KAOS spent the entire Summer 2016 reconditioning the interior and exterior of the Mardukite RV to meet personal specifications for the Mardukite Office and the aqua blue hue appearance expected of a Marduk Temple.

templemardukshowcase During this reconstruction, citizens of Englewood Colorado and the EPD (Englewood Police Department) were less than tolerant of our work, in spite of our civic respectfulness. At one juncture, JOSHUA FREE was threatened by Englewood Police Department with imprisonment if the Marduk Temple were found on Englewood streets again. In spite of the posted signage indicating the work as a World Heritage Project, this fascist trend is expected to rise in Colorado as the influence of Denver’s Urban Camping Ban spreads.

templemardukrearview

Plans are still being developed for the NATIONAL MARDUKITE NEXGENCON scheduled for the August 2017 eclipse at Carhenge, Nebraska following a Wizards of the Wasteland spiritual retreat in the South Dakota Badlands. The Mardukite Nabu Gate & Temple of Marduk is expected to be the centralized icon of this event.

Further plans are in development for 2017 to acquire rural land designated as a NexGen Sanctuary for the future New Babylon Rising and of course, the Marduk Temple. The emphasis and purpose of this Sanctuary is to provide for the continued existence of Mardukite Chamberlains activities and survival of the Library of Nabu-Tutu archives for posterity.

TODAY… A NEW BABYLON is RISING!

promoddsd

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PHERYLLT 2: Secrets of the Ogham: 21 Leaves of Druidic Wisdom from the Book of Ogma Sun-Face (by Joshua Free)

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The 21 plants of Ogma Sun-Face – each one stands for a sacred rune, and each for a lesson… the Ogham plants have remained the cornerstone of Druid Magic since the Cad Goddeu of ages past…
Douglas Monroe, The 21 Lessons of Merlyn

heryllt2pbcvrcrop TREES are an inseparable icon to the Druidic archetype and they are central to this second volume of the Fferyllt series edited by world renown mystic, Joshua Free. The Seeker is led into deep forests of woodland mystery wherein lies the Great Magical Arcanum, initiation to the Divine Secrets of the Universe hidden within the runes of twenty-one Keys – the OGHAM – the secret language and alphabet of the woods.

ladder For two decades a modern movement of neodruids influenced by modern Pheryllt Druidism have become bystanders amidst the unbreakable schism. Alleged authorities on Druidry raise one hand screaming how these documents supporting an ancient Welsh Bardic Druid (and Pheryllt) tradition are a hoax, but with the other hand they borrow from these same sources for their own purposes.

The authentic premise guiding the modern Pheryllt Druid tradition are works that exist from the Welsh MS. Society and the continuing efforts of the National Welsh Eisteddfodd in preserving the genuine Celtic Bardic tradition in Wales. Sources for the Ogham Tree Alphabet include the “Ogham Tract” and 14th Century “Book of Ballymote” transcribed by George Calder as “Auraicept na n’Eces” – named after the opening lines meaning “primer of the poets” or “beginning of the lessons.”

All modern Ogham Tree systems revived for ‘New Age‘ practices derive from the Scholar’s Primer. The Ogham origins, however, are from the Tower of Babel and attributed to the “god” OGMA SUN-FACE, Patron to Bardic Druids (poets, writers, scribes and artists) and the “Mercurial” messenger current that appears elsewhere with Nabu, Merlyn, Thoth, Hermes, and so forth.

VISIT –> THE NEW FOREST CENTRE OF PHERYLLT DRUIDISM

BOOKS OF FFERYLLT (Pheryllt Vol 1 + 2)

BOOKS OF FFERYLLT (Pheryllt Vol 1 + 2)

OGMA, a man well skilled in speech and poetry, invented the Ogham. The cause of its invention, as proof of his ingenuity, that this speech should belong to the learned alone, to the exclusion of rustics and herdsmen.
–Auraicept na n’Eces

In ancient Keltia, the Druid Order consisted of learned men, those educated in Bardic Arts: cosmology, native history, legendary history of heroes and spirituality, penal laws and punishments, geography, healing, botanical medicine, astronomy, astrology and magic. It is no wonder the Bard is viewed as transmitter or catalyst of awen, the essence, divine spark or spirit of inspiration that the Greeks termed gnosis. It is to the ‘ebb and flow’ of the awen field that the poetic genius of Bards is attributed.

“–So Ceridwen took to the crafts of the Book of Pheryllt to boil a cauldron of Awen…”


Preservation of ancient knowledge is key among the elite. This Ancient Mystery Tradition is timeless and spans all locations on the globe. Its fundamentals and the connection between history and future is based in “language,” “communication” and above all, the written word. The “poetic genius” of AWENthe Divine Spark of Creation – manifests throughout all creative arts as the spirit of “prophecy,” an ability to observe experience with a heightened awareness and communicate it in the World of Form.

THE BOOK OF PHERYLLT (VOL 2) reveals an incredible “Druid Database” – the original mainframe – of knowledge and wisdom that unified the Celtic lands for at least a millennium and forever shaped the consciousness of the planet thereafter.

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