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Kings, Queens & Sister-Wives: Sex and Mating Habits of Anunnaki Gods | Divine Right & Royal Dynasties

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Absent from the early editions of the Necronomicon Anunnaki Bible, the Tablet-U Series (“Book of the Underworld“) was not available until 2011 in Liber-C, originally distributed as Beyond the Ishtar Gate, appearing also in Necronomicon Spellbook III released first to the Mardukite Chamberlains (Mardukite Research Organization). Liber-C is also published in the Year-3 Mardukite Anthology Necronomicon Grimoire (formerly Necronomicon Workbook); the Tablet-U Series appears in the final edition of the Necronomicon Anunnaki Bible (the core volume of research).

Dynamics of this series — mainly sexual practices and mating customs of the Anunnaki hierarchy — were catalogued, instructed to and adopted by demigods and Dragon Courts of Kings and Queens. These dynamics are concisely explained by the late Zecharia Sitchin in End of Days.

beyondishtarfrontimg “The key to unlocking the mystery of the gods’ succession (and marriage) — realizing that these rules also applied to the people chosen by them [Enlil] to serve as their proxies to Mankind. In the biblical tale of the Patriarch Abraham explaining his sister-wife in Genesis: ‘Indeed, she is my sister, the daughter of my father, but not the daughter of my mother, and she became my wife.’ Not only was marrying a half-sister from a different mother permitted, but a son by her — in this case Isaac — became the Legal Heir and dynastic successor, rather than the Firstborn Ishmael, son of the handmaiden Hagar.

“Though those succession rules appear complex, they were based on ‘Bloodlines‘ — what we now recognize as sophisticated DNA genealogies that also distinguished between general DNA inherited from the parents as well as the mitochondrial DNA (mtDNA) that is inherited by females only from their mother. Dynastic lines continue through the male line; the Firstborn son is next in succession; a half-sister could be taken as wife if she had a different mother; and if a son by such a half-sister is later born, that son — though not the Firstborn — becomes the Legal Heir and the dynastic successor.

“The rivalry between the two half-brothers Ea/Enki (Firstborn of Anu, but not be his official spouse, Antu) and Enlil in matters of the throne was complicated by personal rivalry in matters of the heart. They both coveted their half-sister Ninmah, whose mother was yet another concubine of Anu. She was Ea/Enki‘s true love, but he was not permitted to marry her. Enlil had a son by her — Ninurta. Though born without wedlock, the succession rules made Ninurta uncontested heir of Enlil, being both a Firstborn son and one born by a royal half-sister…”

Zecharia Sitchin


1001015_318340804969022_2026839541_n The “Descent cycle” of Inanna-Ishtar shows her connection to the “Underworld”, and thereby the “Other”, but it does so for the explicit reasons described in the Tablet-C “Crossings” series, involving her relationship with the Queen of the Underworld, Ereshkigal, her own sister, as well as Ereshkigal‘s surface world Anunnaki consort, Nergal.

NecroBible6ththumb Nergal [ne-uru-gal] is the “lord of the great dwelling” and his wife, Ereshkigal [eres-ki-gal] isa perfect counterpart, being the ‘lady of the great earth’. The cult-center for their tradition worship was the city of Cuth (or Kutha), making the “Man-of-Cuth” literally “Kutu-lu”, CTHULHU, a name which makes frequent appearances in more Necronomical flavored lore related to the Underworld.


LIBER-C, Tablet-U, “The Courtship of Ishtar and Dumuzi”

The brother spoke to his younger sister.
The Sun God, SHAMMASH (UTU), spoke to INANNA-ISHTAR, saying:
“Lady, the flax in its fullness is lovely.
Ishtar, the grain is glistening in the furrow.
I will work the ground for you it for you.
I will bring the grain to you.
But a piece of linen-cloth, big or small, is always needed.
Ishtar, I will bring it to you.”

INANNA-ISHTAR said:
“Brother, after you’ve brought me the flax, Who will comb it for me?”

SHAMMASH (UTU) replied:
“Sister, I will bring it to you combed.”

INANNA-ISHTAR said:
“Utu, after you’ve brought it to me combed, Who will spin it for me?”

And SHAMMASH (UTU) responded:
“Inanna-Ishtar, I will bring it to you spun?”

INANNA-ISHTAR said:
“Brother, after you’ve brought the flax to be spun, Who will braid it for me?”
And SHAMMASH (UTU) responded:
“Sister, I will bring it to you braided.”

INANNA-ISHTAR said:
“Utu, after you’ve brought it to me braided,
Who will weave it for me?”

And SHAMMASH (UTU) replied:
“Sister, I will bring it to you woven.”

INANNA-ISHTAR said:
“Utu, after you’ve brought it to me woven,
Who will bleach it for me?”

And SHAMMASH (UTU) responds:
“Inanna-Ishtar, I will bring it to you bleached.”

Angered now, INANNA-ISHTAR demanded:
“Brother, after you’ve brought my bridal sheet to me,
Who will go to bed with me!?
Who, Utu, who will sleep with me!?”

SHAMMASH (UTU) calmly replied:
“Sister, your bridegroom will go to bed with you.
He who was born from a fertile womb,
He who was conceived on the scared marriage throne,
Dumuzi, the shepherd! He will go to bed with you.”

INANNA-ISHTAR spoke:
“No, brother!
I want the farmer!
He is the man of my heart!
He gathers the grain into great heaps.
He brings the grain regularly into my storehouses.”

SHAMMASH (UTU) said:
“Sister, you should marry the shepherd.
Why are you unwilling?
His cream is good; his milk is good.
Whatever he touches shines brightly.
Inanna-Ishtar, marry Dumuzi.
You who adorn yourself with the agate necklace of fertility alone,
Why are you unwilling?
Dumuzi will share his rich cream with you.
You who are meant to be the kings protector,
Why are you unwilling?”

Still angry, INANNA-ISHTAR the spoke:
“The shepherd?!
I will not marry the shepherd!
His clothes are course; his wool is rough.
I will marry the farmer.
The farmer grows flax for my clothes,
The farmer grows barley for my table.”

Then DUMUZI arrived and said:
“Why do you speak about the farmer?
Why do you speak about him?
If he gives you black flour’
I will give you black wool.
If he gives you white flour,
I will give you white wool.
If he gives you beer,
I will give you sweet milk.
If he gives you bread,
I will give you honey cheese.
I will give the farmer my leftover cream.
I will give the farmer my leftover milk.
Why do you speak about the farmer?
What does he have more than I do?”

Laughing, INANNA-ISHTAR replied:
“Shepherd-boy, without my mother, Ningal, you’d be driven away;
Without my grandmother, Ningikugga, you’d be driven into the Abyss,
Without my father, Nanna, you’d have no roof,
Without my brother Utu-Shammash. . .”

DUMUZI interrupted:
“Inanna, do not start a quarrel with me.
My father, Enki, is as good as your father, Nanna.
My mother, Sirtur, is as good as your mother, Ningal.
My sister, Geshtinanna, is as good as yours, Ereshkigal…
So, Queen of the palace,
let us talk it over, shall we?”

The words they had spoken between them were words of passion and desire.
From the starting of the heated quarrel came the lovers desire for each other.
DUMUZI, The Shepherd, went to the royal house with cream.
He went to the royal house with milk.
Before the door, he called out:
“Open the house, My Lady, open the house!”

INANNA-ISHTAR ran to the arms of NINGAL, her mother.

NINGAL counseled her daughter, saying:
“My child, this young man will be your father.
My daughter, this young man will be your mother.
He will treat you like a father.
He will care for you like a mother. “

Still DUMUZI called:
“Open the house, My Lady, open the house!”

INANNA-ISHTAR, at her mothers command,
Bathed and anointed herself with scented oil.
She covered her body with the royal white robe.
She readied her dowry.
She arranged her precious lapis lazuli beads around her neck.
She took her seal in her hand.

DUMUZI waited expectantly.
INANNA-ISHTAR opened the door for him.
Inside the house she shined before him.
Like the light of the moon.
DUMUZI looked at her joyously.
He pressed his neck close against hers.
He kissed her.

INANNA-ISHTAR then said:
“What I tell you
Let the singer weave into song.
What I tell you,
Let it flow from ear to mouth,
Let it pass from old to young:
My vulva, the horn,
Is The Boat of Heaven,
Is full of eagerness like the new moon.
Who will plow my vulva?
Who will plow my high field?
Who will plow my wet ground?
I am a young beautiful woman;
Who will plow my vulva!?
Who will station the ox there!?
Who will plow my vulva!?”

DUMUZI smiled and said:
“Great Lady, the king will plow your vulva!
I, Dumuzi the King, will plow your vulva.”

INANNA-ISHTAR screamed:
“Then plow my vulva, man of my heart!
Plow my vulva!
Do it now!”

When after the king’s lap stood the rising cedar.
Plants grew high by their side.
Grains grew high by their side.
Gardens flourished luxuriantly.

INANNA-ISHTAR sang in delight:
“He has sprouted;
He is fertile growth planted by the water.
He is the one my womb loves best.
My well-stocked garden in the plains,
My barley growing high in its furrow,
My apple tree which bears fruit up to its crown,
He is fertile growth planted by the water.
My honey-man, my honey-man sweetens me always.
My lord, the honey-man of the gods,
He is the one my womb loves best.
His hand is honey, his foot is honey,
He sweetens me always.
My eager man who caresses my navel,
My man who caresses my soft thighs,
He is the one my womb loves best.
O, how I love him!
He is my fertile growth planted by the water.”

And DUMUZI sang:
“O Great Lady, your breast is your field.
Inanna-Ishtar, your breast is your field.
Your broad field pours out the plants.
Your broad field pours out grain.
Water flows from on high for your servant.
Bread flows from on high for your servant.
Pour it out for me, Inanna-Ishtar.
I will drink all you offer.”

INANNA-ISHTAR said passionately:
“Make your milk sweet and thick for me, my bridegroom.
My shepherd, I will drink your fresh milk.
My wild bull, Dumuzi, make your milk sweet and thick.
I will drink your fresh milk.
Let the milk of the goat flow in my sheepfold.
Fill my holy churn with honey cheese.
Lord Dumuzi, I will drink your fresh milk.
My husband, I will guard my sheepfold for you.
I will watch over your house of life, the storehouse,
The shining quivering place which delights;
The house which decides the fates of the land,
The house which gives the breath of life to the people.
I, the queen of the palace, will watch over your house.”

DUMUZI spoke:
“My sister, I would go with you to my garden.
Inanna, I would go with you to my garden.
I would go with you to my orchard.
I would go with you to my apple tree.
There I would plant the sweet, honey-covered seed.”

INANNA sang:
“He brought me into his garden.
My brother, Dumuzi, brought me into his garden.
I strolled with him among the standing trees,
I stood with him among the fallen trees,
By the apple tree I knelt as is proper.
Before my brother coming in song,
Who rose to me out of poplar leaves,
Who came to me in the midday heat,
before my lord, Dumuzi,
I poured out plants from my womb.
I placed plants before him,
I poured out plants before him.
I placed grain before him,
I poured out grain before him,
I poured out grain before my womb.”

She sang louder:
“Last night as I, the Queen, was shining bright,
Last night as I, the Queen of Heaven, was shining bright,
As I was shining bright and dancing,
Singing praises at the coming of the night;
He met me! He met me!
My lord Dumuzi met me!
He pushed his hand to my hand.
He pressed his neck close against mine.
My high priest is ready for the holy loins.
My lord Dumuzi is ready for the holy loins.
The plants and herbs in his field are ripe.
O Dumuzi! You fullness is my delight!”

She called for it, she called for it, she called for the bed!
She called for the bed that rejoices the heart.
She called for the bed that sweetens the loins.
She called for the bed of kingship.
She called for the bed of queenship.

INANNA-ISHTAR called for the bed:
“Let the bed that rejoices the heart be prepared!
Let the bed that sweetens the lions be prepared!
Let the bed of kingship be prepared!
Let the bed of queenship be prepared!
Let the royal bed be prepared!”

She spread the bridal sheet across the bed.
She called to the king:
“The bed is ready!”
She called to her bridegroom:
“The bed is waiting!”
He put his hand in her hand.
He put his hand to her heart.
Sweet is the sleep of the hand-to-hand.
Sweeter still is the sleep of heart-to-heart.

INANNA-ISHTAR said:
“I bathed for the wild bull,
I bathed for the shepherd Dumuzi,
I perfumed my sides with ointment,
I coated my mouth with sweet-smelling amber,
I painted my eyes with coal.
He shaped my loins with his fair hands.
The Shepherd, Dumuzi filled my lap with cream and milk,
He stroked my pubic hair,
He watered my womb.
He laid his hands on my holy vulva,
He smoothed my black boat with cream,
He quickened my narrow boat with milk,
He creased me on the bed.
Now I will caress my high priest on the bed,
I will caress the faithful shepherd Dumuzi,
I will caress his loins, the shepherdship of the land,
I will decree a sweet fate for him.”

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Babylonian Astrology & Age of Aquarius: How the Sumerians Measured the Heavens

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“The ancient Sumerians understood the connection between cycles, time and mathematics. In addition to the pragmatic use of the wheel or circle, they also developed the initial calculations of the circle to be 360 degrees. Their use of base-60 ‘sexagesimal’ math in the systematic measurement of time has carried with humanity to this day…”

[This mardukite.com blog post is officially excerpted from Liber 51/52, available in the anthology Mesopotamian Religion by Joshua Free. It is also available as the stand-alone title: Sumerian Religion II, and in the Mardukite Year-2 Anthology: Gates of the Necronomicon by Joshua Free.]

MesopotamianReligionFrontcrop The annual year was originally only divided into three seasons: beginning, middle and end. A year in Babylonia was separated into a cycle of 12 periods of 30 degrees or days. These periods, equated to the ‘moon’, were called ‘moonths’ or more appropriately ‘months’. Of course, the sky-wise priests were aware of the actual appearance of 13 lunar cycles in a year, so an additional shortened month was acknowledged to make the cycle fit. In most cases, a ‘new moon’ meant a ‘new month’ and so the days counted in a month are the days counted in the progression of a moon – though naturally the disparities between lunar and solar time had to be accounted for, and with time the ‘Chaldeans’ had perfected it.

cuneisdgsdg The annual cycle was marked distinctly by two primary religious festivals – the spring festival of Akitu and the winter festival of Zagmuk. Both appear to be represented or distinguished by the symbol of ‘divine marriage’, later meaning the relationship between the ruling king and his lands.

Originally, however, the more popular fertility interpretation of these festivals, particularly in the spring, were based on land renewal and with the development and spread of these tradition, Akitu became known as Ostara – the pagan Easter – in dedication to Ishtar (Inanna). Not too surprisingly, the pre-Christian account incorporated into the symbolism of the later Judeo-based traditions also includes the proverbial theme of resurrection – in our case: the infamous story of Ishtar’s ‘descent‘ into the ‘Underworld’, where she is perceived of as ‘dead’ for three days.

vlcsnap-2011-08-13-21h32m43s221 Given the way modern calendars are oriented, the start of each ancient month would be considered near the ‘middle’ of current months – much like the seasonal observations. Although the festivals in ancient times were oriented to the naturally occurring solstices and equinoxes, it was often customary to observe them ceremonially during the closest full moon. All of this gave way to a generally ‘fluid’ incorporation of time into society that is varied in its interpretations among modern scholars.

The ancients made use of ‘water-clocks’ at night and ‘sun-clocks’ during the day. But more important to the survival of an agricultural society then gauging the minutes of a day for a ‘time-punch’ was the tracking of the annual cycle for planting and harvesting. Quite different than what the remainder of the Western World has familiarity with, the seasonal cycles in the deserts of Babylonia are unique. We have a recognizable summer in June, July and August where there is not rain and nothing grows – as we might expect – but then the region is plunged right into its rainy season in September, and farmers must be ready to plant their barley by October with a harvest necessary before the summer sun returns.

Gates3rdEdfrontcropMINI A different system of observation was used to calculate and measure ‘divine time’ in relation to ‘earth time’. This gave rise to what contemporaries call an ‘age’ – such as the current ‘age’ of Pisces and the forthcoming ‘age’ of Aquarius. Apart from the garbled nonsense of today’s horoscopes, the observation of zodiacal ages and alignments during the year are very real events. For whatever credibility the modern mind might wish to give the ancient astrologie omen tablets, the ability to perfectly chart time over long periods by using verifiable astronomical events, that we can even rely on today as investigators into this ancient culture, is quite impressive by any standards.

We can establish the chronological procession of the ages, but not necessarily a definition of when they have absolute turning points. They are measured in 2,160 year periods (72 x 30), connected to their ‘domain’ of visibility in the ‘Celestial Sphere’. The progression is visible in the stars but the clear boundary line that defines each is in many ways obscure. For example, when specifically does the current age enter ‘Aquarius’? Counting backward, the Mardukite school of thought might have suggestive input to apply.

259202494_2439cd36a1_o2 Following earlier thwarted attempts to solidify global rulership, the real Babylonian Reformation by the Anunnaki god MARDUK, with the aid of Nabu, occurred as a result of the ‘Age of Aries’ having arrived and ‘promised power’ not being ‘passed’ to him. This would have to be circa 2150 B.C., when the movement became notably public.

How long prior to this, pointing to the turn of the ‘Age of Aries’, would they have waited? If it were only ten years, then the Piscean Age really would have been marked by the birth of Jesus Christ – exactly 2,160 years later – notoriously represented by the fishes. Other ‘scholarly’ dates for the start of the Age of Aries include 2200, 2150, 2000 and 1875 B.C. Based on these figures, this ‘era’ of reportedly ‘new consciousness’ could be in effect now, later in this century, in the year 2150 or even closer to 2600…

Time, as we have found no different today then yesterday, is indeed entirely relative!

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Mesopotamian Mythology The Easy Way — Sumerian Anunnaki (Study Guide) Part 5

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MASTERING MESOPOTAMIAN MYTHOLOGY
A Brief Anunnaki A-to-Z Directory (Study Guide) – PART FIVE
edited by Joshua Free for Liber-52

[See necrogate.com for PART FOUR]

NINKI {35} [“Lady of the Earth”] — The official spouse (consort) of ENKI, also known as DAMKINA [“Lady Who Came to Earth”]. NINKI is the daughter of ALALU (the ‘heavenly’ king prior to ANU) and the the mother of MARDUK.

NINLIL {45} “Lady of Air-Space” — The official spouse (consort) of ENLIL, also known with the epithet SUD (“nurse”). The background to the relation- ship between ENLIL and NINLIL is not commonly found in the typical cuneiform tablet cycles. Naturally, the lore is not Mardukite or Babylonian in origin and does not appear in the tablet catalogue or commentary of (modern) Mardukite Core anthologies. The cycle is sometimes referred to as “Enlil’s Banishment to the Underworld.”

NINSHUBUR [“Lady of the East”] — The personal assistant (Mercury), second-in-command to the goddess INANNA (ISHTAR). She does not take a consort and there is an alluded love-relationship between her and INANNA (ISHTAR).

MesopotamianReligionFrontcrop NINURTA {4/(50)} “Lord of the South Wind” — The official heir-son of ENLIL, born of ENLIL and NINMAH, espoused to BAU. NINURTA represents the current of Saturn in the Mardukite paradigm, representative both of “hidden power” and “hidden secrets” (an idiom for the dark power and secrets behind the origins and legacy of Babylon). In the Enlilite Sumerian worldview, NINURTA (called NINIB in Babylonan) is the Enlil-in-waiting, a position usurped by MARDUK proper for the Age of Aries. As Enlilship is typically symbolized by ‘dragonslaying‘ — the same motif present in the elevation of MARDUK in Babylon rivaling the dragon-queen TIAMAT can be seen in the older Sumerian cycles where the prowess of NINURTA is shown in his ability to fight the mighty dragon KUR. His colors are black and violet and his essence is corresponded to the metal lead.

NISABA — The Sumerian agricultural goddess of writing and scribes; replaced by the god NABU in the Mardukite Babylonian Anunnaki tradition.

SAMAS / SHAMMASH {20} — The official solar deity of the Enlilite Sumerian Anunnaki pantheon, brother to INANNA (ISHTAR), born of NANNA and NINGAL. The sun represents the brilliance and radiant energy of life on earth; the light that allows organic life to grow and even the manner of which ‘time’ [and ‘lifespan’] is divided. Expansive powerful energy of the solar current is invoked in magical ceremonies for general success and well-being. The fiery nature of the ‘star’ is called upon to ‘incinerate iniquities’ and reveal the nature of darkness and lies, meaning: the revelation of truth. Mistaken (by modern scholars) as monotheistic ‘sun worship’, solar veneration is really the celebration of life. As an archetypal representative of the ‘starry’ ‘heavens’, the sun signifies the physical presence and watchful eye of the ‘All-God’, invoked in matters of law to bring righteous judgment to critical worldly situations. SAMAS is sacred to Sunday, the colors gold and yellow and in the essence of gold.

magansmall SARPANIT {(5)/(45)} — The part-earthling (seventh generation of ADAPA, by ENKI) chosen royal spouse (consort) of MARDUK; princess-queen patron goddess (ISHTAR) of Babylon and mother to NABU. In alternative versions of the lore, her name ERU (or ERUA) designates her as the ‘mother-goddess’ of the ‘Children of MARDUK’ (later associated with the light-folk or elves of Europe).

TIAMAT [“Life-Giving Mother”] — The ‘primeval dragon’ in Babylonian archaic epics, often equated with the Sumerian KUR. Later esoteric traditions and texts associate ‘her’ with Yaldabaoth (Ialdabaoth) in Gnostic Hermeticism, or Khornozon (Choronzon) in Enochian Hermeticism. She is equated with the ‘waters’ or the ‘Deep’ in post-Sumerian Semitic scripture (Hebrew: tehom) – the all-encompassing “Sea” that is parted to reveal the first ‘division’ (fragmentation) of “Life” in the Universe. She is paired anthropomorphically with ABZU (the Abyss) as the prehistoric ‘ancestors’ of the Anunnaki race. Her primary literary presence as TIAMAT (or T(I)AMTU) is in the Enuma Elis (Babylonian) ‘Epic of Creation’. In later times, the name is used for the wife of ADAMU (Adam), being the equivalent to the Semitic “Eve” character.

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Sumerian and Babylonian Mythology — Ancient Anunnaki A-to-Z (Study Guide) Part 3

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Mastering Mardukite Mesopotamian Mythology
A Brief Anunnaki A-to-Z Directory (Study Guide) – PART THREE
edited by Joshua Free for Liber-52

[See necrogate.com for PART TWO]

ERESHKIGAL – [“Mistress of the Great Below”] The Queen of the Great Lands in the Sumerian tradition, sister of INANNA-ISHTAR, granddaughter of ENLIL and spouse to NERGAL.

MesopotamianReligionFrontcrop GANZIR — The gatekeeper to the underworld ‘Kingdom of Shadows.’ The ‘Gate of Ganzir’ is often confused with the ‘Gate to the Abyss’ or the ‘Gate to the Outside’, but instead it is a portal into the Anunnaki-controlled Underworld, the ‘Shadowlands’ or twilight world within the domain of ERESHKIGAL, who rules this ‘land of the dead’. Quoting a modern grimoire of Babylonian occultism, the “necromantic art, by which is it desirous to speak with the phantom of someone dead, and perhaps dwelling in the ABSU [Abyss], and thereby a servant of ERESHKIGAL… it is no less than the opening of the Gate of Ganzir.”

GIBIL [“He Who Has Fire”] — The companion of the flame, a descendent of ENKI who uses fire to conduct alchemy and other feats of “fire power.”

GIRRA — The “servant”, “power” or “fire” of the ‘great god’; the Sumerian fire-god or essence or force of a fire-god named GIBIL.

INANNA {15} [“Lady of Heaven”] — The Sumerian goddess of “passion”, both ‘love’ and ‘war’, and patron of URUK, begot by NANNA and NINGAL; originally betrothed to MARDUK, she then changes her consort choice to DUMUZI. Her prowess and determination secured her a place in all ancient pantheons; being the “Goddess of One-Thousand Names,” titled ISHTAR in Babylon. INANNA (ISHTAR) is the spirit of Venus, whose day is Friday and with an essence found in copper. Her colors are green and white, significant to her domain of fertility and growth. She offers her magicians the skills in love and visions of beauty.

NECRONOMICON - THE ANUNNAKI BIBLE (Sixth Edition)

NECRONOMICON – THE ANUNNAKI BIBLE (Sixth Edition)

MARDUK {10/(50)} [“Son of God”] The supreme champion of the IGIGI during pre-Sumerian times of the Anunnaki; heir-son of ENKI, he becomes the patron of Babylon and the ‘Mardukite‘ tradition reigning for the Age of Aries in Mesopotamia. All tablet cycles making reference to MARDUK are purely Babylonian or from a direct later source – as he does not appear in any significant pre-Babylonian cuneiform tablet cycles yet unearthed. When mentioned briefly as the son of ENKI, working in Eridu, he is named ASARLUHI, becoming the patron Anunnaki “deity” of magic or ‘Master of Magicians’ after having inherited the craft from his father. The blatant industrious and expansive power represented by MARDUK in his ascent up the pantheon (as observed in Babylon) is typified by the planet Jupiter (ENLIL, by Sumerian standards). His color is purple.

NABU {12} [“Prophet”] — The official post-Sumerian secretary of the Anunnaki, part-divine earth born heir-son of MARDUK and messenger-herald and spokesperson of the ‘Mardukite’ tradition, the national cult of Babylon devised by NABU who assisted his father in the redevelopment of the Anunnaki paradigm (as seen in the ‘Mardukite‘ religion of Babylon replacing the previously observed ‘Enlilite’ world order of the Sumerians). Creating the concept of ‘history’ and ‘propaganda’, NABU gives the ‘stylus’ to humanity (and launches a group of scribe-priests (specially taught writing and rhetoric) to catalog the natures, identities, history and decrees (decisions) of the Anunnaki Assembly (gods) and their relationship with each other and the human (“mortal”) world, thereby creating not only the first public ‘religion’, but the first ‘mythology’ (a religion rooted in literary and oral legacies of human relationships and encounters with the divine) and the systems that were able to later result (most of which are still functioning as part of ‘normal’ everyday life in contemporary society). NABU is the archetypal ‘High Priest’ (ENSAG) of the first religion (dedicated to MARDUK) and practiced by priests who preserve the craft of ENKI in Eridu with science and ‘magic’ of the gods to power and sustain the prosperous longevity of Babylon.

…to be continued.

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Marduk, Anunnaki god of Babylon, Son of Enki, Father of Nabu in Mardukite Tradition

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MARDUK — “The blatant industrious and expansive power of Jupiter has been placed at the height of most ‘Sky God’ Olympian pantheons as Zeus or a similar figure. The name (Jupiter) comes from the Romans: Dys Pater, meaning Father-God. This energetic current commands outright worldly success as well as the magic of spirits: command of the hierarchies…

BabylonianMagickCSpbCVRcrop This portion of the mardukite.com blog post is extracted from the “Book of Marduk by Nabu” (Liber W) also available in the recent commemorative “Babylonian Magick” anthology by Joshua Free.

NABU SPEAKS: “The Elder Gods originally attributed this position to Enlil in Sumer. I personally heralded my father, Marduk, into Enlilship of the “younger pantheon” in Babylon. Our tradition there, and in Egypt, was wholly based on him being the centralized figure. You may invoke my father for his strength and power, as well as a petitioner to the Elder Gods. He is exalted as the Master of Magicians, carrying the mysteries of my grandfather, Enki, to Babylon, and bestowing the traditions upon me to relay.” (Liber W)

bookofmardukthumb “The original designation of Jupiter is 50, the number attributed first to Enlil and later to Marduk by the Babylonians, who first was given the number 10. The color of the current is purple, but also airy and fiery colors (yellow, orange, black). This energy is preferred by many leaders and law enforcing folk, lending to those who are pure to receive it, the power to command the material world.” (Liber W)

“Marduk was proclaimed King of the Gods, replacing Enlil, and the other gods were required to pledge allegiance to him and to come to reside in Babylon where their activities could be easily supervised. This usurpation of Enlilship was accompanied by an extensive Babylonian effort to forge the ancient texts. The most important texts were rewritten and altered so as to make Marduk appear as the Lord of the Heavens, the Creator…”
Zecharia Sitchin, The Twelfth Planet (1976)

MesopotamianReligionFrontcrop The name Marduk is actually a modernization taken from the Semitic “meri-dug” [Merodach]. The oldest version of a similar spelling AMAR.UTU [a.mar-utu.ki = “light of the sun on earth”] often translated by contemporaries as “solar calf” or “son of the sun” give some background to Marduk’s esteem. (Liber 50)

[The remainder of this mardukite.com blog post is extracted from a New Babylon Rising article derived from Liber 50 – now available in the new edition of Mesopotamian Religion by Joshua Free.]

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Being the foremost son of Enki, he gained power quickly. The Semitic name “Maerdechai” that came from the Chaldeo-Babylonian [silik-mul.u-khi] name meaning “Marduk is God.” The more common MAR.DUG means “son
of the pure mound,” and is thought to be connected to the pyramids in not only Mesopotamia, but in Egypt, where he raised himself as the leader of a third party (interpretation) of gods – the Egyptian Pantheon – as “Amon-Ra,” [and possibly also Horus] again identifying himself with the “solar” current.

cuneisdgsdg Marduk’s decision to raise himself to a monotheistic-like “God” status created new political issues for the Anunnaki on Earth – creating a reason for there to be tensions between the two lineages (of Enki and Enlil) for supremacy on earth (and the right to install their own lineages and chosen humans as kings in their stead).

THE RACE OF MARDUK…

Naturally, the other Anunnaki were less than appreciative of Marduk’s desire to rule over them, although the Age of Aries, his sign, did come and go and he was not left to his own in Babylon (or in Egypt). This seems to have been a disciplinarian act by the other gods.

babel98769878 Assuming the most common interpretation, Marduk was to lose rights of kingship “in heaven” for the taking of a “human” wife instead of his betrothed half-sister Inanna Ishtar. His argument was that Sarpanit (his consort) was a descendent of Adapa [see the Necronomicon Anunnaki
Bible
], and thus of Anunnaki bloodline; that Ishtar was no more interested in the union than he was, and it had not affected her rise to power; and finally, if not “in heaven,” why not “on earth”? The resulting catastrophes in the Middle East are evidence enough that this betrothal did not occur peacefully.

A MARDUKITE LEGACY BORN

In Assyrian accounts, Marduk, as the great “father-god” Assur or Ashur [“Ashshur”], seems to emerge as if from nowhere, leading some scholars in the late 1800’s and early 1900’s to consider the idea of Marduk being a fictitious figure imagined into being for purely political reasons.

Sarpanit [also Sarapan or Zarpanitu] is mentioned often in Babylonian prayer but does not appear in any of the significant mythic tablet cycles. She achieves an elevated status by her relationship with Marduk, and together, they are the parents of Nabu. At the spring equinox “A.KI.TI” festival she is the “spring-maiden” of fertility festivals in Babylon…

REDISCOVER THE BABYLONIAN ANUNNAKI LEGACY TODAY WITH THE WORK OF THE MARDUKITE CHAMBERLAINS!

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