Tag Archives: book of marduk by nabu

Babylonian New Year Festival, “Book of Marduk by Nabu” 10th Anniversary Pocket Hardcover

“In ancient Babylon, the New Year Festival was the central most religio-political ‘Mardukite’ event marking the beginning of the annual cycle.”—observed throughout the world as the start of the Spring season—this March 21, 2019 is distinguished as the 10th Anniversary of the first modern Mardukite revival observation of the Babylonian New Year Festival, the start of a powerful turn of the ‘Wheel of the Year’ leading up to the infamous “Beltane Gate” May’s Eve Festival of the modern “Mardukite Necronomicon Tradition”—also planned as a global ritual meditation working this year!

At the time in “celestial history” when the original Mardukite tradition in Babylon was systematized, the spring equinox observation of Akitu (or Akiti) coincided with the sun entering the “Aries” zone—the zodiacal sign of Marduk. This spring festival symbolized not only agricultural fertility and renewal of the land on earth, but also a restatement or reinforcement of the national position of Marduk and his role in the universe.

To coincide with this incredible 10th Anniversary milestone in the evolution of the modern “Mardukite” paradigm of Mesopotamian Anunnaki Revival—the Joshua Free publishing imprint representing the Mardukite Truth Seeker Press has authorized a special March 21 release of the 10th Anniversary hardcover: THE COMPLETE BOOK OF MARDUK BY NABU: A POCKET ANUNNAKI DEVOTIONAL COMPANION TO BABYLONIAN PRAYERS & RITUALS—A collector’s edition of the long-lost translated cuneiform tablet collection, revealing secret underground methods to acquire direct communication with what some call “alien intelligences” via a program of ancient-styled Babylonian-inspired devotion, reviving the same techniques as ancient Mardukite priests of the Sumerian Anunnaki in Mesopotamia.

[This book may be used to assist annual personal observation of the Spring Akiti/Akitu or Zagmuk Babylonian Festival and the Mardukite Beltane Gate ritual meditation work, with additional advice for daily rites throughout the year.]

The Akkadian name for the final day of the festival—Akiti or Akitu—translates roughly to “On Earth, Life.” Most scholars usually only recognize the “agricultural” significance and not necessarily the “political” and “mystical” functions of the observation. True, the Akitu festival took place twelve days before the annual crops were planted—but, this large public national “celebration” also reconfirmed supremacy of Marduk and his position in the Babylonian Anunnaki Pantheon, making it the single most important ancient “holiday” for the Mardukite tradition.

This amazing new 10th Anniversary collector’s edition of THE COMPLETE BOOK OF MARDUK BY NABU reflects a very real modern philosophical and meta-spiritual “New Thought” movement aligned specifically with the Anunnaki paradigm. In ancient Babylon, this was famously celebrated among the followers of Marduk—recognized among the pantheon as patron of Babylon city and self-made Anunnaki “King of the Gods” for the “Mardukite” or “Babylonian” branch of the Mesopotamian mythos, with the assistance of the Nabu priesthood of scribes. In commemoration of the anniversary release of a “complete” BOOK OF MARDUK BY NABU, additional portions once released separately as The Book of Zagmuk by Nabu are also included, detailing the annual Spring Equinox Festival or Babylonian “Akiti”/”Akitu” New Year Rituals

After a time of gods had come and gone, the priests and kings continued to observe these ceremonial customs using representative “images” or statuary to symbolized the “divine presence” of Marduk and Nabu as they made a procession each year through the streets of Babylon. Each of the twelve festival days begins at dawn. The High Priest of the “Temple of Marduk”—the E.SAGILA or “House of Marduk”—goes and prepares the temple and other ceremonial areas before dawn, then makes a “general invocation” to Marduk, before the “image” (statue) of the god in his shrine…

NEW NECROGATE BLOGS FROM OUR SISTER-SITE:
== The Future of Mesopotamian Neopaganism : A Brave New Babylon Rising, Modern Sumerian Anunnaki Traditions (Feb 23, 2019)
== Rediscovering & Rekindling the Mesopotamian Spiritual-Magical Tradition of Babylon, “The Mardukite Core” (Jan 23, 2019)
== Gates of the Necronomicon — “Mardukite Core” 10th Anniversary Collector’s Edition Hardcover Series Continues! (Jan 4, 2019)
== Pathworking Astral Star-Gates of the Cosmos with “Necronomicon: The Anunnaki Bible” by Joshua Free (Dec 16, 2018)

Ten years ago, materials from THE COMPLTE BOOK OF MARDUK BY NABU circulated underground, serving as an early cornerstone of “Mesopotamian Neopaganism,” paving the way for a decade of developmental research and experimentation by the “Mardukite Research Organization” of “Mardukite Chamberlains.” Selections included in this revised and expanded, beautifully crafted, portable hardcover Mardukite Liber-W+Z volume have also inspired many other incredible literary classics, including THE COMPLETE ANUNNAKI BIBLE and THE SUMERIAN LEGACY by Joshua Free.

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Le Nécronomicon du Nouveau Millénaire: Le Grimoire Égypto-Babylonien — Mardukite Liber N French Edition!

Coinciding with a 10th Anniversary reintroduction of the groundbreaking foundation work of the modern Mardukite movement to both a new generation of Truth Seekers and to those who are just now discovering our specific style of esoteric, mystical, spiritual and archaeological research and revival—the Mardukite Truth Seeker Press is pleased to announce the first ever authorized French edition of our original “Liber N” volume, translated by David Zibert, along with our Mardukite Anunnaki pocket devotional companion “Liber W”—two of the seven discourses composing the infamous underground anthology source book, “Necronomicon: The Anunnaki Bible” edited by Joshua Free.

(French Edition)

LE NÉCRONOMICON
DU NOUVEAU MILLÉNAIRE

Le Grimoire Égypto-Babylonien

(French Edition)
Édité par Joshua Free
Traduit de l’anglais par David Zibert

Titre original: The Necronomicon
(Liber N)

Le Cycle du Nécronomicon mardukite de Joshua Free est une lecture essentielle pour tous les Mardukites, mais même au-delà de ce paradigme sémantique, il s’agit d’une lecture recommandée à quiconque se considère comme étant un Chercheur de Vérité. Il est à la fois intrigant et rafraîchissant de voir ce savoir oublié, qui fut si ardemment recherché, à partir d’une perspective autant anthropologique qu’historique, sans mentionner les aspects mystiques et spirituellementnourrissants. Le résultat d’un voyage de quinze ans dans les sources undergrounds des mystères métaphysiques du Nouvel-Âge, Joshua Free est tombé sur ce qui semble être un courant pur vers les sources de la tradition babylonienne.Cet ouvrage fut conçu à l’origine afin de valider une reconstruction d’un mouvement “Mardukite”, qui était en fait la base des clergés mystiques de l’ancienne Babylone et d’Égypte et qui est ensuite devenue la source d’un éventail diverse de traditions pratiques.

Plus que cela, toutefois, le Nécronomicon est dévoilé au public dans cette présente condition pieuse afin de donner une nouvelle fraîcheur concernant le livre dans la conscience humaine et qui n’est pas simplement voilée dans un moule d’horreur fantastique gothique. Les éléments de cette nature ne se trouvent pas dans le présent texte, quifut préparé pour les prêtres et les prêtresses de cette tradition et non pas comme un grimoire de la voie de la main gauche servant à effrayer les amateurs qui, de toute façon, ne seront sans aucun doute aucunement capables de comprendre assez ces mystères pour être en mesure d’en abuser.Un « Nécronomicon du nouveau millénaire » apportant un savoir pur et ancien concernant les sujets les plus chauds de notre époque et de toutes les époques, comme le divin, la création, les extra-terrestres, les humains, la religion, les traditions magiques panthéistes, les dimensions alternatives, les portails et la vie après la mort. Qu’est cequ’un chercheur peut désirer de plus?

(French Edition)

LE LIVRE DE MARDUK
PAR NABU

Le Livret Dévotionnel des Mardukites

(French Edition)
Édité par Joshua Free
Traduit de l’anglais par David Zibert

Titre original: Book of Marduk by Nabu
(Liber W)

Le Livre de Marduk par Nabu est le reflet d’un mouvement moderne bien réel connecté au système Anunnaki qui fut réalisé fameusement en ancienne Babylone, parmi les dévots d’une déité en particulier, MARDUK—qui devint non seulementle patron de la ville, mais également le Roi des Dieux autoproclamé avec l’assistance du clergé de Nabu. À l’intérieur de ces pages, un nouveau venu pourra glaner la beauté du système, mais un chercheur plus adepte des mystères découvrira sans aucun doute beaucoup plus avec bien peu de suggestions additionnelles. La résurrection de ce livre perdu sera certainement aussi bien reçue qu’elle l’a été il y a un an, ou même plus encore, le travail des Ministères mardukites continuant d’atteindre de nouveaux sommets.

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Real Ancient Magic Rites & Rituals – Incantation of Eridu, The Deep of Enki | Sumerian Babylonian Mesopotamian

Through Marduk, the power of Eridu – incantation-prayer – was taught to the scribes of Nabu and the Mardukite Priests, who were taught to attract and compel the ‘gods’ in the name of Marduk, always incanting the word-formula of the highest order: Nabu invoked by way of the name of Marduk; Marduk invoked by way of the name of Enki, Our Father, who in turn would invoke by the name of Anu – and so was born the concept of magical hierarchies, an ideal that was convoluted and obscured when employed later (during the Middle Ages and such), particularly distorted by the Judeo-Christian paradigm as evident in many popular grimoires
–The Book of Marduk by Nabu

Many version of Erudite magic may be found through the Mesopotamian ‘spiritual’ (or ‘magical’) cuneiform texts. The incantation tablets from the ‘Mardukite’ Babylonian Anunnaki tradition, specifically those used and forged by scribe-priests of the Order of Nabu, are invoked from the ‘perspective’ (authority) of NABU – as was the tradition learned verbatim from MARDUK. In both scholarly and esoteric ‘Mardukite’ texts, the ‘Opening Ritual’ of Mardukite magic is derived from the source titled: “The Incantation of Eridu.”

JOSHUA FREE explains this magic in the Liber-50 material released as SUMERIAN RELIGION by Joshua Free, also available in the Year-2 Mardukite Core Anthology GATES OF THE NECRONOMICON edited by Joshua Free.

Perhaps the most fundamental ‘formula’ of the magical system in Babylonia, if there is one, goes back to the heart of the system born of the scribe-priests and the figures who brought this system about – NABU and the appropriation of his father, MARDUK as the chief director. This is the spiritual acknowledgment alluded to by the Incantation of Eridu, also known as the ‘Incantation of the Priest of Eridu’ (Eridu being the shrine-home of ENKI), or the ‘Incantation of the Deep’, which simply refers to another name for the far-away abode of ENKI near the Persian Gulf.

Ceremonial activation of the ‘birthright’ of Anunnaki power sealed in Eridu (and then in Babylon) allows a practitioner to assume the representative form of the “ Priest of Eridu,” a title first bestowed upon MARDUK by ENKI, then passed onto NABU during the solidification and heights of the Babylonian era. The esoteric key in effect here is that the priest conducts the incantations (ceremony) as the embodiment of an intermediary ‘messenger’ deity – the original semantic of the word “invocation” – thereby directing the cosmic (world) order, in essence, first hand.

The magician approaches his deity as himself – a servant priest – and petitions to assume the godform, whereby he continues the ceremony as a divine representation of the god ‘invoked’. An almost identical principle appears within Semitic mysticism and the Judeo-Kabbalah – an excellent example being found in contemporary Catholicism, when the priest ‘assumes the Christ-form’ to effectively perform a perceived alchemical transmutation on the sacramental bread and wine, conducted as a representative of Jesus on earth, in imitation (dramatic reenactment) of the Last Supper.

In the ‘Mardukite’ system observed in Babylon, the god being invoked is MARDUK. This is affirmed with the priest’s first utterance of: “It is not I, but Marduk, who speaks the incantation.” And from then on the system is sealed and readied for use by the Mardukite devotee. Consider the lines in this conjuration, adapted from the Mardukite Tablet-Y in NECRONOMICON ANUNNAKI BIBLE edited by Joshua Free:

It is not I, but Marduk, Slayer of Serpents,
Who summons thee.
It is not I, but Enki, Father of the Magicians,
Who calls thee here now.

An examination of the remaining lines of the ‘Incatation of Eridu’ appears here, though the “Mardukite” version is given fully in the Tablet-Y Series. As described, the ritual operates as if from the perspective of NABU (speaking for MARDUK). Though variations exist across the opening lines of several Assyrian “exorcisms,” one key tablet example – translated by R.C. Thompson as his “Tablet N” for Devils and Evil Spirits of Babylonia (1903) – relates:

The Priest of E.A. [Enki] am I.
The priest of Damkina [Ninki] am I.
The messenger [Nabu] of Marduk am I.
My spell is the spell of E.A [Enki].
My incantation is the incantation of Marduk.
The ‘magic circle’ of EA [Enki] is in my hand.
The tamarask (of Anu), in my hand, I hold.

From the modernized Mardukite version, the opening lines read (from Tablet-Y in Necronomicon Anunnaki Bible):

I am the Priest of Marduk,
Son of Our Father, Enki.
I am the Priest of Eridu,
And the Magician of Babylon

The Assyrian version continues humbly as follows:

EA [Enki], King of the Deep
See me favorably.
I, the magician, am thy slave.
March thou on my right hand,
Assist me on my left;
Add thy pure spell to mine.
Add thy pure voice to mine.
O god that blesses me, Marduk,
Let me be blessed, wherever my path rests.
Thy power, shall god and man proclaim.
And I too, the magician, thy slave

E.A. Budge transliterates an older version for Babylonian Life & History (1883) and we see a slightly different method for petitioning the “younger pantheon” to the side of the priest:

I am the Priest of EA [Enki].
I am the Magician of Eridu.
Shammash [Samas] is before me.
Sin [Nanna] is behind me.
Nergal is at my right hand.
Ninurta is at my left hand

Later added to this, the modern Mardukite version appends:

Anu, above me, King of Heaven.
Enki, below me, King of the Deep.
The power [blood] of Marduk is within me.
It is not I, but Marduk, who performs the incantation.

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BABYLONIAN MAGIC – Ancient Art of Priests, Kings & Magicians Revealed! by Joshua Free

“Systematic traditions, ‘hermetically sealed’ within themselves, rose from the Semitic grimoire-styled ceremonial magic, not surprisingly influenced by ‘Egypto-Babylonian’ forms of ritual magic (first the domain of Enki but later passed into the possession of Marduk and his scribe-son Nabu). The priest-magicians of Babylon would not actually have personally used a grimoire-like magic themselves, as this was not their way. At best, they would invoke the powers of the Anunnaki with incantations in the name of Marduk – but this manner of using the ‘secret names’ as properties of Marduk, or any other demigod, was a much more recent addition to the system…” –Joshua Free

[This blog-post appears courtesy of Mardukite Liber-51/52 available within the NEW Deluxe Edition of Sumerian Religion by Joshua Free. These materials are also available in the Year-2 Mardukite Anthology: Gates of the Necronomicon.]

During the era of the first ziggurat temples – the Anunnaki age – all of the magic constituted the ‘spiritual assistance’ that was governed by the state, ruled by priest-kings and temple attendants. The ‘mystics’ of Babylonia were all employed by the temples and scribe-houses, though there were undoubtedly those who confined themselves to their arts in the outlands, beyond the awareness of the societal realm.

The peasant class, however, did not practice much by way of ‘magic’ (as classified by anthropologists) outside of their own personal religious devotions, which in itself was mostly restricted to hymns and prayers learned from the temples. These personal devotions were also completely inclination-based, as there does not appear to be any prescribed devotional method or temple attendance required of a Babylonian citizen, nor even participation in national festivals.

Access to the ‘incantation-prayers’ of the priests were also not generally given to just anyone – and you had to be able to read them, or at the very least memorize them. General collections of these tablets were seldom kept, with the exception of priest-kings who might house their own personal libraries. An example: the Kuyunjik collection, called nis-kati (preserved in the British Museum) which was the private property of the Assyrian king Ashurbanipal.

The Altar of Offering set before the ‘Boat of the Gods’ (imagery also appearing in the Egyptian Tradition – a ‘Boat of the Gods’ carrying seven figures – e.g. the Seven Anunnaki Gods of the Babylonian ‘Younger Generation’) was also located at the official shrines – although personal altars could surely be constructed by a devotee appealing to their god, this would come much later during an era of ‘figurative mysticism’ because originally, these offerings would be physically received by a god in person, or via their ‘priestly secretaries’.

Common religious offerings included food and drink, incense and oil, even lavish jewelry and clothing – which were carried up the ziggurat steps of the ‘ladder to heaven’ to be placed before the feet of the god, or at the very least, at his ‘boat’ to be lifted to them.

When the appearance of the gods, themselves, was not present, it was customary to have an official piece of statuary left in there place. This became more and more figurative with the passage of time, and it is easy to see how many of these originating concepts evolved into later magical and religious practices – which were one and the same at their start.

Gold and lapis lazuli commonly appear as both ‘magical ritual aids’ and prestigious offerings to the ‘gods’ via their temples. Wands, necklaces and bags of loose lapis are often mentioned in esoteric texts (cuneiform tablets) from the Mesopotamians, in addition to golden rings and ‘amulet-plates’ marked with specific seals and cuneiform glyphs. Practical “underground” investigations into this type of work later developed into a modern standard used by the Mardukites who practice a contemporary Babylonian tradition, making use of illustrated sigil-seals and cuneiform signatures of the seven of the “Younger Generation” (as well as the Supernal Trilogy) – making ten sets in total. (See also the Necronomicon Anunnaki Bible and/or Book of Marduk by Nabu.)

Implementation of a practical magical system from the Babylonian ideal is somewhat different than what the contemporary mind, even an ‘esoteric’ one, is fundamentally familiar with. As opposed to the later magicians who appear to have had to connive and fool the hierarchies of spirits into assisting them, threatening them and even in fear of some retroactive revenge – the original magical system used by the priests of Babylonia was rooted in the deep personal relationship – running as deep as blood – that the Sumerian priest-kings and Mardukite NABU priest-scribes maintained with the sources of not only their religious power, but the basis of the entire system of civilization that allowed the progression of the human species into today.

All of this, according to tradition, resided in the influence of the Anunnaki gods – and the priest-kings and scribes were installed to be sure no one forgot this…

DISCOVER EVEN MORE IN THE NEW DELUXE EDITION OF SUMERIAN RELIGION BY JOSHUA FREE!

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Mardukite Zagmuk NexGen Spring Equinox Festival, CyberVamps DJs LIVE! in Denver (March 20)

cybervamp2ss

Celebrating their first official LIVE CyberVamps podcast (called an #EVM Broadcast — indicating Electronic Vampyre Music), CyberGoth DJs Nabu & Kyra Kyber appeared last night (March 20) in DENVER to observe the Spring Equinox (Babylonian Festival of Zagmuk/Akiti) and commemorate the crossing of keyboardist extraordinaire KEITH EMERSON, from the infamous 70’s symphonic rock band Emerson, Lake & Palmer, often referred to as ELP.

EQUI-NIGHT, ZAGMUK NIGHT

EQUI-NIGHT, ZAGMUK NIGHT

March 20-21st is traditionally observed in both ancient and New Age traditions as a celebration of the new Spring Season — marked by the passage of the Sun into the astronomical domain of Aries and heralding the phenomenon known as the EQUINOX, a point in the year when the duration of night and day are even or equal. This also happens in the Autumn Fall Season — however it is the Spring Equinox that carries the most significant historical and spiritual parallels to what we associate with the Spring Season even today. In ancient Sumer and Babylon, this time is called ZAGMUK or AKITU (Akiti) — coinciding with the Holy Week of modern Easter observances…


EQUAL NIGHT, ZAGMUK NIGHT : CyberVamps LIVE from Denver (#EVM Podcast-1)


BoZthumbcvr CyberVamps CyberGoth DJs Present: The “EQUI-NOX” Spring Festival 2016
for the release of the NEW POCKET EDITION of
The Book of Zagmuk by Nabu

* EQUI-NIGHT, ZAGMUK NIGHT *

SONGS/REMIXES:
INTRO: Cake Hole Evil 9 Crystal Method X DJ Nabu
TRK 1: Cybrax E.O.D X DJ Kyra Kyber
TRK 2: Eisenfunk Pong X CyberVamps Djs
TRK 3: Clan of Xymox Theres No Tomorrow X DJ Nabu
TRK 4: Russian Hardbass Energy X DJ Kyra Kyber w/ DJ Nabu
OUTRO: <emRammstein Kokain X Energy X DJ Nabu

WITH SAMPLES FROM:
Anubian Lights, Alien Vampires, CombiChrist, Crystal Method, FaderHead, FrontLine Assembly, Zombie Girl


KEITH EMERSON

KEITH EMERSON

Emerson, Lake & Palmer were an English progressive rock supergroup formed in London in 1970. The group consisted of keyboardist Keith Emerson, singer, bassist, and producer Greg Lake, and drummer and percussionist Carl Palmer. They were one of the most popular and commercially successful progressive rock bands in the 1970s.
wikipedia


CyberVamps CyberGoth DJs Nabu & Kyra pay tribute to Keith Emerson, keyboardist extraordinaire of the rock band, Emerson, Lake and Palmer (ELP) with a LIVE remix of the “FanFare For the Common Man” — samples include Anubian Lights, AngelSpit, Crystal Method, Faderhead, Front Line Assembly, KMFDM, Rammstein, Zombie Girl and more. Making an intentional crossing to the other side, KEITH EMERSON died on March 10th 2016, of a self-inflicted gunshot wound to the head…

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Mardukite New Year Rituals of Ancient Babylonian Akiti / Akitu Spring Equinox Festival

The Processional Way in Ancient Babylon for the New Years Akiti / Akitu (Zagmuk) Festival

The Processional Way of MARDUK and NABU in Ancient Babylon for the New Years Akiti / Akitu (Zagmuk) Festival

THE BOOK OF ZAGMUK (available in Babylonian Magick, Wizards of the Wastelands or the Ceremonial Color Edition) is the Official Mardukite-Anunnaki companion to the Babylonian New Year Festival, known as Akitu (Akiti) or Zagmuk, originally available exclusively to the modern Mardukite Research Organization and Mardukite Chamberlains.


Deluxe Color Edition

Deluxe Color Edition

THE BOOK OF ZAGMUK BY NABU (forthcoming as a pocket companion) is a specially prepared ceremonial text with selected ‘tablet collections’ that combine materials from the Mardukite Wizards of the Wastelands in conjunction with critical excerpts from Joshua Free’s NECRONOMICON ANUNNAKI BIBLE, essentially comprising the internal methods of the ‘Order of Nabu‘ to establish Mardukite ‘religious’ continuity in Babylon and MARDUK’s royal legitimacy at the height of the Babylonian pantheon using the Babylonian New Year Festival, Akitu (Akiti) or Zagmuk.

zagakitu

“The Babylonian observation of the annual (solar) year starts with the ‘Mardukite’ observation of ‘zagmuk’ – meaning ‘the beginning of the year’ or ‘new year’. This 12-day festival is fixed to arrange its height at the beginning of the month of Nissanu, the ‘Spring Equinox’ or March 21st, also coinciding with the beginning of the astrological wheel, when the sun enters Aries.” The Book of Zagmuk by Nabu

zagmuk

The festival is significant for its contributions toward solidifying both the religious and political paradigms of ‘Mardukite’ Babylon. The festival is also known by its Sumerian-derived Akkadian name – A.KI.TI or A.KI.TU – meaning ‘On Earth, Life’. This large public festival observance is a reconfirmation of the supremacy of MARDUK and the Babylonian Pantheon and is probably the single most important ancient ‘holiday’ for the tradition.

BabylonianMagickCSpbCVRcrop After the time of gods had come and gone, the priests and kings continued to observe the ceremonial customs using representative statuary to symbolized the ‘divine’ forms of Marduk and Nabu as they make a procession through the streets of Babylon and are placed in the temples to witness a dramatic reenactment of the Enuma Elis and other rites and rituals that commemorate the ‘Mardukite’ tradition (paradigm) and seal the position of the priests and king as the ‘chosen’ ambassadors and intermediaries between the ‘gods’ of heaven and the people of earth.


NEW WEBSITE !!! –> CyberVamps.com

NATIONAL MARDUKITE NEXGEN CONVOCATION
THE GATHERUM IS COMING
AUGUST 2017


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MARDUK (mar-dug, marutuk, merodach, maerdechai) | Babylonian God, patron to Nabu priest-scribe magicians of Sumeria

bronzetreehmardk

The industrious and raw expansive power of Jupiter is placed at the height of most ‘Olympian’ pantheons (Zeus or similar).
The Book of Marduk by Nabu
edited by Joshua Free

The word-name Jupiter comes from the Romans: Dys Pater (Latin), meaning “Father-God.” This energetic current commands outright worldly success as and the magic of spirits: command of the “spiritual” hierarchy of astral spirits.

MARDUK with the Dragon of Babylon, SIRRUS

MARDUK with the Dragon of Babylon, SIRRUS

Anunnaki Elder Gods originally attributed this position to ENLIL in Sumer. I, NABU personally heralded my father, MARDUK, into Enlilship of the “younger pantheon” of Anunnaki observed in Babylon. Our “Mardukite” tradition there, and in Egypt, was wholly based on his centralized leadership.

MARDUK is exalted as the Master of Magicians, carrying the mysteries of my grandfather, ENKI, to Babylon, and bestowing the traditions upon me to relay. The original designation of the Jupiter position in the pantheon is 50, the number attributed by Enlilite Sumerians to ENLIL and later to MARDUK for Babylonian Religion (who previously held the designation of 10).

Bom3rdthumb Invoke my father, MARDUK, for his strength and power, as well as to petition the Elder Gods. The color of the “Mardukite” current is purple, but also airy and fiery colors (yellow, orange, black).

This energy is preferred by many leaders and law enforcing folk, lending to those who are pure to receive it, the power to command the material world…


“Marduk was proclaimed King of the Gods, replacing Enlil, and the other gods were required to pledge allegiance to him and to come to reside in Babylon where their activities could be easily supervised. This usurpation of Enlilship was accompanied by an extensive Babylonian effort to forge the ancient texts. The most important texts were rewritten and altered so as to make Marduk appear as the Lord of the Heavens, the Creator…”
–Zecharia Sitchin, The Twelfth Planet, 1976


P1050763_Louvre_code_Hammurabi_face_rwk The name MARDUK is actually a modernization taken from the Semitic “meri-dug” [Merodach]. The oldest version of a similar spelling AMAR.UTU [a.mar-utu.ki = “light of the sun on earth”] often translated by contemporaries as “solar calf” or “son of the sun” : gives some background to Marduk’s esteem.

As explained by Joshua Free in SUMERIAN RELIGION:

Being the foremost son of ENKI, he gained power quickly. The Semitic name “Maerdechai” that came from the Chaldeo-Babylonian [silik-mul.u-khi] name meaning “Marduk is God.” The more common MAR.DUG means “son of the pure mound,” and is thought to be connected to the pyramids in not only Mesopotamia, but in Egypt, where he raised himself as the leader of a third party of gods – the Egyptian Pantheon – as “Amon-Ra” (again identifying himself with the “solar” current).

SumRel3rdthumb The decision of MARDUK to raise himself to a monotheistic-like “God” status created new political issues for the Anunnaki on Earth – creating a reason for there to be tensions between the two lineages — of ENKI and ENLIL — for supremacy on earth (and the right to install their own lineages and chosen humans as kings in their stead)…

…TO BE CONTINUED

Other articles of interest may be found at NECROGATE.COM
And be sure to follow the Mardukite Blog!!

NATIONAL MARDUKITE NEXGEN CONVOCATION — AUGUST 2017


Bom3rdthumb BOOK OF MARDUK BY NABU
Pocket Anunnaki Devotional Companion

by Joshua Free
2010 — Year-2 Liber W
THIRD EDITION
A contemporary ‘tablet collection’ that paved the way for intensive research and experimentation. It reveals the inner-circle methods used by the ‘Order of Nabu’ to acquire direct communication with ‘alien intelligences’, reviving the same process the priests of the Anunnaki in Mesopotamia.

SumRel3rdthumb SUMERIAN RELIGION
Secrets of the Anunnaki

by Joshua Free
2010 — Year-2 Liber-50
The most critically acclaimed bestselling materials from the Mardukite Research Organization – now available from the underground – revealing amazing insights into the Anunnaki, credited with kickstarting humanity according to Sumerian & Babylonian writings.

SumTrad2ndTHUMB SUMERIAN TRADITION
Secrets of the Anunnaki

by Joshua Free
2011 — Year-2 Liber-51/52
The journey continues into the heart of Mesopotamian Mysteries — just as relevant and critical today as thousands of years ago! Now you can uncover the mysteries lay hidden in ancient Sumer and the greatest kept secrets of Babylon!

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Filed under ancient near east, babylonian, excerpt, mardukite, mesopotamian, research development, sumerian