Tag Archives: enlilites

Mardukite 10-Year Anniversary Celebrated with Legendary Books and Tomes of Magick by Joshua Free


FOR TEN YEARS the “Mardukite Truth Seeker Press” has delivered an aggressively refined methodology for the new ‘NexGen’ breed of eclectic esoteric seekers as “Mardukite Babylonians” — reviving the banner name of the first spiritual and political rebels in history, those who rose up against the Enlilite Sumerians in seemingly prehistoric Babylon, but in fact they are the times that literally defined history, the oldest true writing system (cuneiform) and systems of human civilization that have grown and advanced since then but are very much present among us today.

Modern “Mardukite Babylonians” study the nature of these things among many other aspects of magic, mysticism and metaphysics (beyond the realm of Mesopotamia and Ancient Near East) with the MARDUKITE.COM and NECROGATE.COM sites dedicated to publications of “Mardukite Truth Seeker Press” celebrating the incredible underground literary work and prolific prodigious contributions of Joshua Free (also known as “Merlyn Stone” in the 1990’s). Since childhood, Joshua Free has dedicated his entire life to the archetype of legendary books and tomes of magick – those such as the Necronomicon and Book of Pheryllt.

After being received into the library and self-made traditions of hundreds and even thousands of mystical, metaphysical and “New Age” practitioners since the mid-1990’s – writing under the name of “Merlyn Stone” for such popular underground publications as THE SORCERER’S HANDBOOK (now available in a commemorative 20th Anniversary) – Joshua Free is most famous for the inception of the modern “Mardukite” movement with the release of ARCANUM: THE GREAT MAGICAL ARCANUM on the Summer Solstice (June 21) 2008 (now observing its 10th Anniversary).

The Mesopotamian-oriented faction of active researchers and esoteric mystical practitioners known as the “Mardukite Chamberlains” was later solidified with the original volume of the ‘Mardukite Core’, best known as the NECRONOMICON ANUNNAKI BIBLE (edited by Joshua Free). [Other anthologies edited by Joshua Free for the ‘Mardukite Core’ include “Gates of the Necronomicon,” “Necronomicon Grimoire,” “History of the Necronomicon” and “Secrets of Sumerian Language.”]

Coinciding with the 10th Anniversary of the “Mardukite” tradition is the early-release of the 10th Anniversary (Seventh Edition) of Joshua Free’s complete NECRONOMICON ANUNNAKI BIBLE tablet anthology – inspired by the aura of what it is named for, but wholly based in historical records that completed work that former manifestations only seemed to allude to (in the Mesopotamian context). For example, previous serious practitioners realized the Simon recension was incomplete at best, alluding not to the Enlilite traditions common to the “Sumerians,” but rather to the “Mardukite” tradition raised by ancient Babylonians in honor of Marduk, firstborn son of Enki, ruler of men and gods from his shrine-temple ziggurat in Babylon, the Tower of Babel.

The range of work by “Mardukite Chamberlains” leading up to the NECRONOMICON ANUNNAKI BIBLE included lengthy discourses with other researchers, unceasing hours in abandoned corners of old libraries and museums, participation in sessions with other practicing occultists and even visits to “artifact rooms” and “tablet collections” at the University of Pennsylvania and Chicago among others, including the library and museum at Rosicrucian Park.

The resulting culmination became nothing like anyone expected: an authentic and verifiable vision for the “Mesopotamian Necronomicon” salvaged from the shifting desert sands of time in the Middle East and Egypt, unparalleled by anything already available to Truth Seekers. It appeared to be the most complete collection of ancient writings on the planet that formed the very foundation of all the human traditions and beliefs that would emerge thereafter. “Mardukite Truth Seeker Press” spent 2009 through 2012 dedicated to perfection and enhancement of NECRONOMICON ANUNNAKI BIBLE materials, newly revised and updated for the 10th Anniversary Seventh Edition to be the most accessible, complete and economical edition in the history of the modern “Mardukite” legacy.

This famous “Mardukite” version of the NECRONOMICON ANUNNAKI BIBLE edited by Joshua Free, is not Lovecraftian or Simonian (while it could possibly serve to offer validity to proponent materials from both sources for those who seek it), neither is it “dangerous” or a “hoax” (though those who fear the revelation of these truths for the world will think it the former and label it the later). Thousands of people have now discovered that Joshua Free’s NECRONOMICON ANUNNAKI BIBLE is the single most ancient and pure unaltered lore concerning the hottest topics of our time and all times, including divinity, creation, human origins, aliens, religion, pantheistic magickal traditions, alternate dimensions, portals and the afterlife. He explains: – “In this new millennium of uncertainties, it is most likely that the uncovering of the past will reveal our future.”

Merlyn Stone
(Joshua Free)

Although now best known for his work on Sumerians, the Anunnaki and Babylonian Tradition for the “Mardukites,“ work and involvement by Joshua Free with the Secret Dragon (Elven) Legacy and modern Pheryllt Druid Tradition is also paramount. In addition to his own collected works anthology — THE DRUID COMPLEAT comprised of “Book of Elven-Faerie,” “Draconomicon” and “Book of Druidry” — his writing has even been used within the third volume completing the classic bestselling ‘Merlyn Trilogy’ by Douglas Monroe: THE DEEPTEACHINGS OF MERLYN published by Kima Global Books in 2011. Kima has also agreed to publish Joshua Free’s forthcoming BOOK OF PHERYLLT ‘Druid Source Book’ anthology later this year, further making our Anniversary year truly a pivotal year indeed!

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Kings, Queens & Sister-Wives: Sex and Mating Habits of Anunnaki Gods | Divine Right & Royal Dynasties

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Absent from the early editions of the Necronomicon Anunnaki Bible, the Tablet-U Series (“Book of the Underworld“) was not available until 2011 in Liber-C, originally distributed as Beyond the Ishtar Gate, appearing also in Necronomicon Spellbook III released first to the Mardukite Chamberlains (Mardukite Research Organization). Liber-C is also published in the Year-3 Mardukite Anthology Necronomicon Grimoire (formerly Necronomicon Workbook); the Tablet-U Series appears in the final edition of the Necronomicon Anunnaki Bible (the core volume of research).

Dynamics of this series — mainly sexual practices and mating customs of the Anunnaki hierarchy — were catalogued, instructed to and adopted by demigods and Dragon Courts of Kings and Queens. These dynamics are concisely explained by the late Zecharia Sitchin in End of Days.

beyondishtarfrontimg “The key to unlocking the mystery of the gods’ succession (and marriage) — realizing that these rules also applied to the people chosen by them [Enlil] to serve as their proxies to Mankind. In the biblical tale of the Patriarch Abraham explaining his sister-wife in Genesis: ‘Indeed, she is my sister, the daughter of my father, but not the daughter of my mother, and she became my wife.’ Not only was marrying a half-sister from a different mother permitted, but a son by her — in this case Isaac — became the Legal Heir and dynastic successor, rather than the Firstborn Ishmael, son of the handmaiden Hagar.

“Though those succession rules appear complex, they were based on ‘Bloodlines‘ — what we now recognize as sophisticated DNA genealogies that also distinguished between general DNA inherited from the parents as well as the mitochondrial DNA (mtDNA) that is inherited by females only from their mother. Dynastic lines continue through the male line; the Firstborn son is next in succession; a half-sister could be taken as wife if she had a different mother; and if a son by such a half-sister is later born, that son — though not the Firstborn — becomes the Legal Heir and the dynastic successor.

“The rivalry between the two half-brothers Ea/Enki (Firstborn of Anu, but not be his official spouse, Antu) and Enlil in matters of the throne was complicated by personal rivalry in matters of the heart. They both coveted their half-sister Ninmah, whose mother was yet another concubine of Anu. She was Ea/Enki‘s true love, but he was not permitted to marry her. Enlil had a son by her — Ninurta. Though born without wedlock, the succession rules made Ninurta uncontested heir of Enlil, being both a Firstborn son and one born by a royal half-sister…”

Zecharia Sitchin


1001015_318340804969022_2026839541_n The “Descent cycle” of Inanna-Ishtar shows her connection to the “Underworld”, and thereby the “Other”, but it does so for the explicit reasons described in the Tablet-C “Crossings” series, involving her relationship with the Queen of the Underworld, Ereshkigal, her own sister, as well as Ereshkigal‘s surface world Anunnaki consort, Nergal.

NecroBible6ththumb Nergal [ne-uru-gal] is the “lord of the great dwelling” and his wife, Ereshkigal [eres-ki-gal] isa perfect counterpart, being the ‘lady of the great earth’. The cult-center for their tradition worship was the city of Cuth (or Kutha), making the “Man-of-Cuth” literally “Kutu-lu”, CTHULHU, a name which makes frequent appearances in more Necronomical flavored lore related to the Underworld.


LIBER-C, Tablet-U, “The Courtship of Ishtar and Dumuzi”

The brother spoke to his younger sister.
The Sun God, SHAMMASH (UTU), spoke to INANNA-ISHTAR, saying:
“Lady, the flax in its fullness is lovely.
Ishtar, the grain is glistening in the furrow.
I will work the ground for you it for you.
I will bring the grain to you.
But a piece of linen-cloth, big or small, is always needed.
Ishtar, I will bring it to you.”

INANNA-ISHTAR said:
“Brother, after you’ve brought me the flax, Who will comb it for me?”

SHAMMASH (UTU) replied:
“Sister, I will bring it to you combed.”

INANNA-ISHTAR said:
“Utu, after you’ve brought it to me combed, Who will spin it for me?”

And SHAMMASH (UTU) responded:
“Inanna-Ishtar, I will bring it to you spun?”

INANNA-ISHTAR said:
“Brother, after you’ve brought the flax to be spun, Who will braid it for me?”
And SHAMMASH (UTU) responded:
“Sister, I will bring it to you braided.”

INANNA-ISHTAR said:
“Utu, after you’ve brought it to me braided,
Who will weave it for me?”

And SHAMMASH (UTU) replied:
“Sister, I will bring it to you woven.”

INANNA-ISHTAR said:
“Utu, after you’ve brought it to me woven,
Who will bleach it for me?”

And SHAMMASH (UTU) responds:
“Inanna-Ishtar, I will bring it to you bleached.”

Angered now, INANNA-ISHTAR demanded:
“Brother, after you’ve brought my bridal sheet to me,
Who will go to bed with me!?
Who, Utu, who will sleep with me!?”

SHAMMASH (UTU) calmly replied:
“Sister, your bridegroom will go to bed with you.
He who was born from a fertile womb,
He who was conceived on the scared marriage throne,
Dumuzi, the shepherd! He will go to bed with you.”

INANNA-ISHTAR spoke:
“No, brother!
I want the farmer!
He is the man of my heart!
He gathers the grain into great heaps.
He brings the grain regularly into my storehouses.”

SHAMMASH (UTU) said:
“Sister, you should marry the shepherd.
Why are you unwilling?
His cream is good; his milk is good.
Whatever he touches shines brightly.
Inanna-Ishtar, marry Dumuzi.
You who adorn yourself with the agate necklace of fertility alone,
Why are you unwilling?
Dumuzi will share his rich cream with you.
You who are meant to be the kings protector,
Why are you unwilling?”

Still angry, INANNA-ISHTAR the spoke:
“The shepherd?!
I will not marry the shepherd!
His clothes are course; his wool is rough.
I will marry the farmer.
The farmer grows flax for my clothes,
The farmer grows barley for my table.”

Then DUMUZI arrived and said:
“Why do you speak about the farmer?
Why do you speak about him?
If he gives you black flour’
I will give you black wool.
If he gives you white flour,
I will give you white wool.
If he gives you beer,
I will give you sweet milk.
If he gives you bread,
I will give you honey cheese.
I will give the farmer my leftover cream.
I will give the farmer my leftover milk.
Why do you speak about the farmer?
What does he have more than I do?”

Laughing, INANNA-ISHTAR replied:
“Shepherd-boy, without my mother, Ningal, you’d be driven away;
Without my grandmother, Ningikugga, you’d be driven into the Abyss,
Without my father, Nanna, you’d have no roof,
Without my brother Utu-Shammash. . .”

DUMUZI interrupted:
“Inanna, do not start a quarrel with me.
My father, Enki, is as good as your father, Nanna.
My mother, Sirtur, is as good as your mother, Ningal.
My sister, Geshtinanna, is as good as yours, Ereshkigal…
So, Queen of the palace,
let us talk it over, shall we?”

The words they had spoken between them were words of passion and desire.
From the starting of the heated quarrel came the lovers desire for each other.
DUMUZI, The Shepherd, went to the royal house with cream.
He went to the royal house with milk.
Before the door, he called out:
“Open the house, My Lady, open the house!”

INANNA-ISHTAR ran to the arms of NINGAL, her mother.

NINGAL counseled her daughter, saying:
“My child, this young man will be your father.
My daughter, this young man will be your mother.
He will treat you like a father.
He will care for you like a mother. “

Still DUMUZI called:
“Open the house, My Lady, open the house!”

INANNA-ISHTAR, at her mothers command,
Bathed and anointed herself with scented oil.
She covered her body with the royal white robe.
She readied her dowry.
She arranged her precious lapis lazuli beads around her neck.
She took her seal in her hand.

DUMUZI waited expectantly.
INANNA-ISHTAR opened the door for him.
Inside the house she shined before him.
Like the light of the moon.
DUMUZI looked at her joyously.
He pressed his neck close against hers.
He kissed her.

INANNA-ISHTAR then said:
“What I tell you
Let the singer weave into song.
What I tell you,
Let it flow from ear to mouth,
Let it pass from old to young:
My vulva, the horn,
Is The Boat of Heaven,
Is full of eagerness like the new moon.
Who will plow my vulva?
Who will plow my high field?
Who will plow my wet ground?
I am a young beautiful woman;
Who will plow my vulva!?
Who will station the ox there!?
Who will plow my vulva!?”

DUMUZI smiled and said:
“Great Lady, the king will plow your vulva!
I, Dumuzi the King, will plow your vulva.”

INANNA-ISHTAR screamed:
“Then plow my vulva, man of my heart!
Plow my vulva!
Do it now!”

When after the king’s lap stood the rising cedar.
Plants grew high by their side.
Grains grew high by their side.
Gardens flourished luxuriantly.

INANNA-ISHTAR sang in delight:
“He has sprouted;
He is fertile growth planted by the water.
He is the one my womb loves best.
My well-stocked garden in the plains,
My barley growing high in its furrow,
My apple tree which bears fruit up to its crown,
He is fertile growth planted by the water.
My honey-man, my honey-man sweetens me always.
My lord, the honey-man of the gods,
He is the one my womb loves best.
His hand is honey, his foot is honey,
He sweetens me always.
My eager man who caresses my navel,
My man who caresses my soft thighs,
He is the one my womb loves best.
O, how I love him!
He is my fertile growth planted by the water.”

And DUMUZI sang:
“O Great Lady, your breast is your field.
Inanna-Ishtar, your breast is your field.
Your broad field pours out the plants.
Your broad field pours out grain.
Water flows from on high for your servant.
Bread flows from on high for your servant.
Pour it out for me, Inanna-Ishtar.
I will drink all you offer.”

INANNA-ISHTAR said passionately:
“Make your milk sweet and thick for me, my bridegroom.
My shepherd, I will drink your fresh milk.
My wild bull, Dumuzi, make your milk sweet and thick.
I will drink your fresh milk.
Let the milk of the goat flow in my sheepfold.
Fill my holy churn with honey cheese.
Lord Dumuzi, I will drink your fresh milk.
My husband, I will guard my sheepfold for you.
I will watch over your house of life, the storehouse,
The shining quivering place which delights;
The house which decides the fates of the land,
The house which gives the breath of life to the people.
I, the queen of the palace, will watch over your house.”

DUMUZI spoke:
“My sister, I would go with you to my garden.
Inanna, I would go with you to my garden.
I would go with you to my orchard.
I would go with you to my apple tree.
There I would plant the sweet, honey-covered seed.”

INANNA sang:
“He brought me into his garden.
My brother, Dumuzi, brought me into his garden.
I strolled with him among the standing trees,
I stood with him among the fallen trees,
By the apple tree I knelt as is proper.
Before my brother coming in song,
Who rose to me out of poplar leaves,
Who came to me in the midday heat,
before my lord, Dumuzi,
I poured out plants from my womb.
I placed plants before him,
I poured out plants before him.
I placed grain before him,
I poured out grain before him,
I poured out grain before my womb.”

She sang louder:
“Last night as I, the Queen, was shining bright,
Last night as I, the Queen of Heaven, was shining bright,
As I was shining bright and dancing,
Singing praises at the coming of the night;
He met me! He met me!
My lord Dumuzi met me!
He pushed his hand to my hand.
He pressed his neck close against mine.
My high priest is ready for the holy loins.
My lord Dumuzi is ready for the holy loins.
The plants and herbs in his field are ripe.
O Dumuzi! You fullness is my delight!”

She called for it, she called for it, she called for the bed!
She called for the bed that rejoices the heart.
She called for the bed that sweetens the loins.
She called for the bed of kingship.
She called for the bed of queenship.

INANNA-ISHTAR called for the bed:
“Let the bed that rejoices the heart be prepared!
Let the bed that sweetens the lions be prepared!
Let the bed of kingship be prepared!
Let the bed of queenship be prepared!
Let the royal bed be prepared!”

She spread the bridal sheet across the bed.
She called to the king:
“The bed is ready!”
She called to her bridegroom:
“The bed is waiting!”
He put his hand in her hand.
He put his hand to her heart.
Sweet is the sleep of the hand-to-hand.
Sweeter still is the sleep of heart-to-heart.

INANNA-ISHTAR said:
“I bathed for the wild bull,
I bathed for the shepherd Dumuzi,
I perfumed my sides with ointment,
I coated my mouth with sweet-smelling amber,
I painted my eyes with coal.
He shaped my loins with his fair hands.
The Shepherd, Dumuzi filled my lap with cream and milk,
He stroked my pubic hair,
He watered my womb.
He laid his hands on my holy vulva,
He smoothed my black boat with cream,
He quickened my narrow boat with milk,
He creased me on the bed.
Now I will caress my high priest on the bed,
I will caress the faithful shepherd Dumuzi,
I will caress his loins, the shepherdship of the land,
I will decree a sweet fate for him.”

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MARDUK (mar-dug, marutuk, merodach, maerdechai) | Babylonian God, patron to Nabu priest-scribe magicians of Sumeria

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The industrious and raw expansive power of Jupiter is placed at the height of most ‘Olympian’ pantheons (Zeus or similar).
The Book of Marduk by Nabu
edited by Joshua Free

The word-name Jupiter comes from the Romans: Dys Pater (Latin), meaning “Father-God.” This energetic current commands outright worldly success as and the magic of spirits: command of the “spiritual” hierarchy of astral spirits.

MARDUK with the Dragon of Babylon, SIRRUS

MARDUK with the Dragon of Babylon, SIRRUS

Anunnaki Elder Gods originally attributed this position to ENLIL in Sumer. I, NABU personally heralded my father, MARDUK, into Enlilship of the “younger pantheon” of Anunnaki observed in Babylon. Our “Mardukite” tradition there, and in Egypt, was wholly based on his centralized leadership.

MARDUK is exalted as the Master of Magicians, carrying the mysteries of my grandfather, ENKI, to Babylon, and bestowing the traditions upon me to relay. The original designation of the Jupiter position in the pantheon is 50, the number attributed by Enlilite Sumerians to ENLIL and later to MARDUK for Babylonian Religion (who previously held the designation of 10).

Bom3rdthumb Invoke my father, MARDUK, for his strength and power, as well as to petition the Elder Gods. The color of the “Mardukite” current is purple, but also airy and fiery colors (yellow, orange, black).

This energy is preferred by many leaders and law enforcing folk, lending to those who are pure to receive it, the power to command the material world…


“Marduk was proclaimed King of the Gods, replacing Enlil, and the other gods were required to pledge allegiance to him and to come to reside in Babylon where their activities could be easily supervised. This usurpation of Enlilship was accompanied by an extensive Babylonian effort to forge the ancient texts. The most important texts were rewritten and altered so as to make Marduk appear as the Lord of the Heavens, the Creator…”
–Zecharia Sitchin, The Twelfth Planet, 1976


P1050763_Louvre_code_Hammurabi_face_rwk The name MARDUK is actually a modernization taken from the Semitic “meri-dug” [Merodach]. The oldest version of a similar spelling AMAR.UTU [a.mar-utu.ki = “light of the sun on earth”] often translated by contemporaries as “solar calf” or “son of the sun” : gives some background to Marduk’s esteem.

As explained by Joshua Free in SUMERIAN RELIGION:

Being the foremost son of ENKI, he gained power quickly. The Semitic name “Maerdechai” that came from the Chaldeo-Babylonian [silik-mul.u-khi] name meaning “Marduk is God.” The more common MAR.DUG means “son of the pure mound,” and is thought to be connected to the pyramids in not only Mesopotamia, but in Egypt, where he raised himself as the leader of a third party of gods – the Egyptian Pantheon – as “Amon-Ra” (again identifying himself with the “solar” current).

SumRel3rdthumb The decision of MARDUK to raise himself to a monotheistic-like “God” status created new political issues for the Anunnaki on Earth – creating a reason for there to be tensions between the two lineages — of ENKI and ENLIL — for supremacy on earth (and the right to install their own lineages and chosen humans as kings in their stead)…

…TO BE CONTINUED

Other articles of interest may be found at NECROGATE.COM
And be sure to follow the Mardukite Blog!!

NATIONAL MARDUKITE NEXGEN CONVOCATION — AUGUST 2017


Bom3rdthumb BOOK OF MARDUK BY NABU
Pocket Anunnaki Devotional Companion

by Joshua Free
2010 — Year-2 Liber W
THIRD EDITION
A contemporary ‘tablet collection’ that paved the way for intensive research and experimentation. It reveals the inner-circle methods used by the ‘Order of Nabu’ to acquire direct communication with ‘alien intelligences’, reviving the same process the priests of the Anunnaki in Mesopotamia.

SumRel3rdthumb SUMERIAN RELIGION
Secrets of the Anunnaki

by Joshua Free
2010 — Year-2 Liber-50
The most critically acclaimed bestselling materials from the Mardukite Research Organization – now available from the underground – revealing amazing insights into the Anunnaki, credited with kickstarting humanity according to Sumerian & Babylonian writings.

SumTrad2ndTHUMB SUMERIAN TRADITION
Secrets of the Anunnaki

by Joshua Free
2011 — Year-2 Liber-51/52
The journey continues into the heart of Mesopotamian Mysteries — just as relevant and critical today as thousands of years ago! Now you can uncover the mysteries lay hidden in ancient Sumer and the greatest kept secrets of Babylon!

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Mesopotamian Mythology The Easy Way — Sumerian Anunnaki (Study Guide) Part 5

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MASTERING MESOPOTAMIAN MYTHOLOGY
A Brief Anunnaki A-to-Z Directory (Study Guide) – PART FIVE
edited by Joshua Free for Liber-52

[See necrogate.com for PART FOUR]

NINKI {35} [“Lady of the Earth”] — The official spouse (consort) of ENKI, also known as DAMKINA [“Lady Who Came to Earth”]. NINKI is the daughter of ALALU (the ‘heavenly’ king prior to ANU) and the the mother of MARDUK.

NINLIL {45} “Lady of Air-Space” — The official spouse (consort) of ENLIL, also known with the epithet SUD (“nurse”). The background to the relation- ship between ENLIL and NINLIL is not commonly found in the typical cuneiform tablet cycles. Naturally, the lore is not Mardukite or Babylonian in origin and does not appear in the tablet catalogue or commentary of (modern) Mardukite Core anthologies. The cycle is sometimes referred to as “Enlil’s Banishment to the Underworld.”

NINSHUBUR [“Lady of the East”] — The personal assistant (Mercury), second-in-command to the goddess INANNA (ISHTAR). She does not take a consort and there is an alluded love-relationship between her and INANNA (ISHTAR).

MesopotamianReligionFrontcrop NINURTA {4/(50)} “Lord of the South Wind” — The official heir-son of ENLIL, born of ENLIL and NINMAH, espoused to BAU. NINURTA represents the current of Saturn in the Mardukite paradigm, representative both of “hidden power” and “hidden secrets” (an idiom for the dark power and secrets behind the origins and legacy of Babylon). In the Enlilite Sumerian worldview, NINURTA (called NINIB in Babylonan) is the Enlil-in-waiting, a position usurped by MARDUK proper for the Age of Aries. As Enlilship is typically symbolized by ‘dragonslaying‘ — the same motif present in the elevation of MARDUK in Babylon rivaling the dragon-queen TIAMAT can be seen in the older Sumerian cycles where the prowess of NINURTA is shown in his ability to fight the mighty dragon KUR. His colors are black and violet and his essence is corresponded to the metal lead.

NISABA — The Sumerian agricultural goddess of writing and scribes; replaced by the god NABU in the Mardukite Babylonian Anunnaki tradition.

SAMAS / SHAMMASH {20} — The official solar deity of the Enlilite Sumerian Anunnaki pantheon, brother to INANNA (ISHTAR), born of NANNA and NINGAL. The sun represents the brilliance and radiant energy of life on earth; the light that allows organic life to grow and even the manner of which ‘time’ [and ‘lifespan’] is divided. Expansive powerful energy of the solar current is invoked in magical ceremonies for general success and well-being. The fiery nature of the ‘star’ is called upon to ‘incinerate iniquities’ and reveal the nature of darkness and lies, meaning: the revelation of truth. Mistaken (by modern scholars) as monotheistic ‘sun worship’, solar veneration is really the celebration of life. As an archetypal representative of the ‘starry’ ‘heavens’, the sun signifies the physical presence and watchful eye of the ‘All-God’, invoked in matters of law to bring righteous judgment to critical worldly situations. SAMAS is sacred to Sunday, the colors gold and yellow and in the essence of gold.

magansmall SARPANIT {(5)/(45)} — The part-earthling (seventh generation of ADAPA, by ENKI) chosen royal spouse (consort) of MARDUK; princess-queen patron goddess (ISHTAR) of Babylon and mother to NABU. In alternative versions of the lore, her name ERU (or ERUA) designates her as the ‘mother-goddess’ of the ‘Children of MARDUK’ (later associated with the light-folk or elves of Europe).

TIAMAT [“Life-Giving Mother”] — The ‘primeval dragon’ in Babylonian archaic epics, often equated with the Sumerian KUR. Later esoteric traditions and texts associate ‘her’ with Yaldabaoth (Ialdabaoth) in Gnostic Hermeticism, or Khornozon (Choronzon) in Enochian Hermeticism. She is equated with the ‘waters’ or the ‘Deep’ in post-Sumerian Semitic scripture (Hebrew: tehom) – the all-encompassing “Sea” that is parted to reveal the first ‘division’ (fragmentation) of “Life” in the Universe. She is paired anthropomorphically with ABZU (the Abyss) as the prehistoric ‘ancestors’ of the Anunnaki race. Her primary literary presence as TIAMAT (or T(I)AMTU) is in the Enuma Elis (Babylonian) ‘Epic of Creation’. In later times, the name is used for the wife of ADAMU (Adam), being the equivalent to the Semitic “Eve” character.

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Sumerian and Babylonian Mythology — Ancient Anunnaki A-to-Z (Study Guide) Part 3

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Mastering Mardukite Mesopotamian Mythology
A Brief Anunnaki A-to-Z Directory (Study Guide) – PART THREE
edited by Joshua Free for Liber-52

[See necrogate.com for PART TWO]

ERESHKIGAL – [“Mistress of the Great Below”] The Queen of the Great Lands in the Sumerian tradition, sister of INANNA-ISHTAR, granddaughter of ENLIL and spouse to NERGAL.

MesopotamianReligionFrontcrop GANZIR — The gatekeeper to the underworld ‘Kingdom of Shadows.’ The ‘Gate of Ganzir’ is often confused with the ‘Gate to the Abyss’ or the ‘Gate to the Outside’, but instead it is a portal into the Anunnaki-controlled Underworld, the ‘Shadowlands’ or twilight world within the domain of ERESHKIGAL, who rules this ‘land of the dead’. Quoting a modern grimoire of Babylonian occultism, the “necromantic art, by which is it desirous to speak with the phantom of someone dead, and perhaps dwelling in the ABSU [Abyss], and thereby a servant of ERESHKIGAL… it is no less than the opening of the Gate of Ganzir.”

GIBIL [“He Who Has Fire”] — The companion of the flame, a descendent of ENKI who uses fire to conduct alchemy and other feats of “fire power.”

GIRRA — The “servant”, “power” or “fire” of the ‘great god’; the Sumerian fire-god or essence or force of a fire-god named GIBIL.

INANNA {15} [“Lady of Heaven”] — The Sumerian goddess of “passion”, both ‘love’ and ‘war’, and patron of URUK, begot by NANNA and NINGAL; originally betrothed to MARDUK, she then changes her consort choice to DUMUZI. Her prowess and determination secured her a place in all ancient pantheons; being the “Goddess of One-Thousand Names,” titled ISHTAR in Babylon. INANNA (ISHTAR) is the spirit of Venus, whose day is Friday and with an essence found in copper. Her colors are green and white, significant to her domain of fertility and growth. She offers her magicians the skills in love and visions of beauty.

NECRONOMICON - THE ANUNNAKI BIBLE (Sixth Edition)

NECRONOMICON – THE ANUNNAKI BIBLE (Sixth Edition)

MARDUK {10/(50)} [“Son of God”] The supreme champion of the IGIGI during pre-Sumerian times of the Anunnaki; heir-son of ENKI, he becomes the patron of Babylon and the ‘Mardukite‘ tradition reigning for the Age of Aries in Mesopotamia. All tablet cycles making reference to MARDUK are purely Babylonian or from a direct later source – as he does not appear in any significant pre-Babylonian cuneiform tablet cycles yet unearthed. When mentioned briefly as the son of ENKI, working in Eridu, he is named ASARLUHI, becoming the patron Anunnaki “deity” of magic or ‘Master of Magicians’ after having inherited the craft from his father. The blatant industrious and expansive power represented by MARDUK in his ascent up the pantheon (as observed in Babylon) is typified by the planet Jupiter (ENLIL, by Sumerian standards). His color is purple.

NABU {12} [“Prophet”] — The official post-Sumerian secretary of the Anunnaki, part-divine earth born heir-son of MARDUK and messenger-herald and spokesperson of the ‘Mardukite’ tradition, the national cult of Babylon devised by NABU who assisted his father in the redevelopment of the Anunnaki paradigm (as seen in the ‘Mardukite‘ religion of Babylon replacing the previously observed ‘Enlilite’ world order of the Sumerians). Creating the concept of ‘history’ and ‘propaganda’, NABU gives the ‘stylus’ to humanity (and launches a group of scribe-priests (specially taught writing and rhetoric) to catalog the natures, identities, history and decrees (decisions) of the Anunnaki Assembly (gods) and their relationship with each other and the human (“mortal”) world, thereby creating not only the first public ‘religion’, but the first ‘mythology’ (a religion rooted in literary and oral legacies of human relationships and encounters with the divine) and the systems that were able to later result (most of which are still functioning as part of ‘normal’ everyday life in contemporary society). NABU is the archetypal ‘High Priest’ (ENSAG) of the first religion (dedicated to MARDUK) and practiced by priests who preserve the craft of ENKI in Eridu with science and ‘magic’ of the gods to power and sustain the prosperous longevity of Babylon.

…to be continued.

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BOOK OF GENERATIONS, Ancient Cuneiform Tablets of Anunnaki gods, Understanding ENKI & ENLIL

To the ADAMU they sought to bestow the face of the gods.
For the remainder of the period they heard the drum beat.
From the flesh of the god the spirit remained to the End of Days.
It was made known to the living gods by the sign marked,
Without which he be allowed to be forgotten, so the spirit remained.

–‘Book of Generations’, LIBER-N

Babylonian ruins of babylon

The Book of Generations concerning the true and ancient story of the Creation of Man now lies open for all to read. According to the most ancient sources existing on the planet, the ANUNNAKI, particularly ENKI and MARDUK — with the assistance of a “birth-goddess” [hence the origins of the “One Mother”] — eased the toils of the IGIGI-Watchers by fashioning a race of slave workers for the fields and mines: humans.

NecroBible6ththumb [The complete cuneiform compilation entitled the ‘Book of Generations’ is found in the Year-1 (2009) Mardukite Research anthology, NECRONOMICON – THE ANUNNAKI BIBLE edited by Joshua Free. They are catalogued by the Mardukite Truth Seeker Press as the Tablet-G series, first appearing in Liber-N in 2009.]

Remnants of this lore has filtered out into the current controversies over races and bloodlines, but such tendencies remove the Seeker even farther from the truth. This religious magick has come to be taken for granted by many classes of supposed “New Agers” from naïve gothic teens to soul-sold masonic rock-stars. [Excerpting the ‘Preface’ to the Tablet-G series.]

Lore from these ancient tablets reveal a key point in the Creation of Man, that neither the ANUNNAKI, ENKI, MARDUK, ENLIL or even ANU is necessarily viewed in themselves by the actual ANUNNAKI and IGIGI beings as “God” or “gods” in the sense that contemporary historians have incorrectly interpreted global mythologies.

cuneisdgsdg Some-“thing” exists outside of the dimensions inhabited by these beings, and yet the ancient world collaborates on the belief that these specific intermediaries or emissaries are the ones responsible not only for the existence of humans but also a feud over our “care-taking” during the Deluge.

According to these most antiquated cuneiform tablet writings, it is ENLIL — who is revered as “Jehovah” in Enlilite territories (identified in contemporary biblical scriptures as the “Holy Lands”) — that is actually displeased with human creation from the start and also any salvation for the race through the ‘Deluge’.

Enki2 ENKI who appears as humanity’s “saving deity” this time and yet the ludicrous notion of Olympian Monotheism always attributes positive qualities to a singular “God” with the backwash byproducts give to a “Devil” figure. Consequently what was actually initiated as a disagreement among a “holy family” later funneled down to modern minds as “good vs. evil” in the name of religious dualism — such as we see among the later Mardukite-inspired Persian Zoroastrians.

Discover MORE about the amazing legacy described on cuneiform tablets from Mesopotamia. They are the only surviving comprehensible proof of a time since forgotten — one which has been heralded as the birthplace of the arts of modern human civilization, all of which gifted by the Sumerian ANUNNAKI who engineered the people and their reality since the inception of ‘human kind’.

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