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BABYLONIAN MAGIC – Ancient Art of Priests, Kings & Magicians Revealed! by Joshua Free

“Systematic traditions, ‘hermetically sealed’ within themselves, rose from the Semitic grimoire-styled ceremonial magic, not surprisingly influenced by ‘Egypto-Babylonian’ forms of ritual magic (first the domain of Enki but later passed into the possession of Marduk and his scribe-son Nabu). The priest-magicians of Babylon would not actually have personally used a grimoire-like magic themselves, as this was not their way. At best, they would invoke the powers of the Anunnaki with incantations in the name of Marduk – but this manner of using the ‘secret names’ as properties of Marduk, or any other demigod, was a much more recent addition to the system…” –Joshua Free

[This blog-post appears courtesy of Mardukite Liber-51/52 available within the NEW Deluxe Edition of Sumerian Religion by Joshua Free. These materials are also available in the Year-2 Mardukite Anthology: Gates of the Necronomicon.]

During the era of the first ziggurat temples – the Anunnaki age – all of the magic constituted the ‘spiritual assistance’ that was governed by the state, ruled by priest-kings and temple attendants. The ‘mystics’ of Babylonia were all employed by the temples and scribe-houses, though there were undoubtedly those who confined themselves to their arts in the outlands, beyond the awareness of the societal realm.

The peasant class, however, did not practice much by way of ‘magic’ (as classified by anthropologists) outside of their own personal religious devotions, which in itself was mostly restricted to hymns and prayers learned from the temples. These personal devotions were also completely inclination-based, as there does not appear to be any prescribed devotional method or temple attendance required of a Babylonian citizen, nor even participation in national festivals.

Access to the ‘incantation-prayers’ of the priests were also not generally given to just anyone – and you had to be able to read them, or at the very least memorize them. General collections of these tablets were seldom kept, with the exception of priest-kings who might house their own personal libraries. An example: the Kuyunjik collection, called nis-kati (preserved in the British Museum) which was the private property of the Assyrian king Ashurbanipal.

The Altar of Offering set before the ‘Boat of the Gods’ (imagery also appearing in the Egyptian Tradition – a ‘Boat of the Gods’ carrying seven figures – e.g. the Seven Anunnaki Gods of the Babylonian ‘Younger Generation’) was also located at the official shrines – although personal altars could surely be constructed by a devotee appealing to their god, this would come much later during an era of ‘figurative mysticism’ because originally, these offerings would be physically received by a god in person, or via their ‘priestly secretaries’.

Common religious offerings included food and drink, incense and oil, even lavish jewelry and clothing – which were carried up the ziggurat steps of the ‘ladder to heaven’ to be placed before the feet of the god, or at the very least, at his ‘boat’ to be lifted to them.

When the appearance of the gods, themselves, was not present, it was customary to have an official piece of statuary left in there place. This became more and more figurative with the passage of time, and it is easy to see how many of these originating concepts evolved into later magical and religious practices – which were one and the same at their start.

Gold and lapis lazuli commonly appear as both ‘magical ritual aids’ and prestigious offerings to the ‘gods’ via their temples. Wands, necklaces and bags of loose lapis are often mentioned in esoteric texts (cuneiform tablets) from the Mesopotamians, in addition to golden rings and ‘amulet-plates’ marked with specific seals and cuneiform glyphs. Practical “underground” investigations into this type of work later developed into a modern standard used by the Mardukites who practice a contemporary Babylonian tradition, making use of illustrated sigil-seals and cuneiform signatures of the seven of the “Younger Generation” (as well as the Supernal Trilogy) – making ten sets in total. (See also the Necronomicon Anunnaki Bible and/or Book of Marduk by Nabu.)

Implementation of a practical magical system from the Babylonian ideal is somewhat different than what the contemporary mind, even an ‘esoteric’ one, is fundamentally familiar with. As opposed to the later magicians who appear to have had to connive and fool the hierarchies of spirits into assisting them, threatening them and even in fear of some retroactive revenge – the original magical system used by the priests of Babylonia was rooted in the deep personal relationship – running as deep as blood – that the Sumerian priest-kings and Mardukite NABU priest-scribes maintained with the sources of not only their religious power, but the basis of the entire system of civilization that allowed the progression of the human species into today.

All of this, according to tradition, resided in the influence of the Anunnaki gods – and the priest-kings and scribes were installed to be sure no one forgot this…

DISCOVER EVEN MORE IN THE NEW DELUXE EDITION OF SUMERIAN RELIGION BY JOSHUA FREE!

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Ancient Mardukite Prophecies Fulfilled! 2017 New Year, New Babylon Rises! Nabu Gate & Marduk Temple

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“In my city of Babylon — the Gateway of the Gods — my prophet-son resides, my hand he grasps. The King & Prophet enter as New Babylon Rises. In my city before me, my Temple shall be erected anew. In my city — in my temple — the ‘Temple Like a Mountain’ shall be renewed. The Dur-An-Ki plans are set. Until the End-of-Days, I shall be there in the ‘House in the Heights’ and at the End-of-Ages, my Stargate will be opened…”
–The Marduk Prophecies c.2017 BC

templemardukmodel Many chronicles exist of ancient Mesopotamia from cuneiform tablet annals and interpretations brought to the public from the Mardukite Research Organization & Publishing Group… but our efforts have never been restricted to purely academic or literary ventures. Complimenting the offbeat off-the-wall approach taken by our official spokesman, NABU JOSHUA FREE, our unique non-secular non-sectarian “organization” has conducted many esoteric occult and covert “experiments” in global reform, blatantly since 2008.

One such cumulative effort is the reestablishment of a New Babylon Rising — and here we are in the 40th Year of the New Age of Marduk (begun in 1977). We are in the same circumstances now, in 21st Century AD as we once were in the 21st Century BC and above all, the prophetic raising of the Marduk Temple and Nabu Gate for a New Age — a New Babylon Rising — is now upon us!

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JUNE 2016Summer Solstice and 8th Anniversary of Mardukite Ministries — a late-model winnebago RV was obtained by the Mardukite Research Organization from SF Bay (Cali) to establish a mobile office for the Mardukite Publishing Company in addition to the NABU GATE & LIBRARY to a very real and physical MARDUK TEMPLE SANCTUARY for a New Babylonian Rising.

And this is only the beginning…

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Mardukite Spokesman, NABU JOSHUA FREE and domestic partner CyberVamps DJ KYRA KAOS spent the entire Summer 2016 reconditioning the interior and exterior of the Mardukite RV to meet personal specifications for the Mardukite Office and the aqua blue hue appearance expected of a Marduk Temple.

templemardukshowcase During this reconstruction, citizens of Englewood Colorado and the EPD (Englewood Police Department) were less than tolerant of our work, in spite of our civic respectfulness. At one juncture, JOSHUA FREE was threatened by Englewood Police Department with imprisonment if the Marduk Temple were found on Englewood streets again. In spite of the posted signage indicating the work as a World Heritage Project, this fascist trend is expected to rise in Colorado as the influence of Denver’s Urban Camping Ban spreads.

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Plans are still being developed for the NATIONAL MARDUKITE NEXGENCON scheduled for the August 2017 eclipse at Carhenge, Nebraska following a Wizards of the Wasteland spiritual retreat in the South Dakota Badlands. The Mardukite Nabu Gate & Temple of Marduk is expected to be the centralized icon of this event.

Further plans are in development for 2017 to acquire rural land designated as a NexGen Sanctuary for the future New Babylon Rising and of course, the Marduk Temple. The emphasis and purpose of this Sanctuary is to provide for the continued existence of Mardukite Chamberlains activities and survival of the Library of Nabu-Tutu archives for posterity.

TODAY… A NEW BABYLON is RISING!

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PHERYLLT 2: Secrets of the Ogham: 21 Leaves of Druidic Wisdom from the Book of Ogma Sun-Face (by Joshua Free)

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The 21 plants of Ogma Sun-Face – each one stands for a sacred rune, and each for a lesson… the Ogham plants have remained the cornerstone of Druid Magic since the Cad Goddeu of ages past…
Douglas Monroe, The 21 Lessons of Merlyn

heryllt2pbcvrcrop TREES are an inseparable icon to the Druidic archetype and they are central to this second volume of the Fferyllt series edited by world renown mystic, Joshua Free. The Seeker is led into deep forests of woodland mystery wherein lies the Great Magical Arcanum, initiation to the Divine Secrets of the Universe hidden within the runes of twenty-one Keys – the OGHAM – the secret language and alphabet of the woods.

ladder For two decades a modern movement of neodruids influenced by modern Pheryllt Druidism have become bystanders amidst the unbreakable schism. Alleged authorities on Druidry raise one hand screaming how these documents supporting an ancient Welsh Bardic Druid (and Pheryllt) tradition are a hoax, but with the other hand they borrow from these same sources for their own purposes.

The authentic premise guiding the modern Pheryllt Druid tradition are works that exist from the Welsh MS. Society and the continuing efforts of the National Welsh Eisteddfodd in preserving the genuine Celtic Bardic tradition in Wales. Sources for the Ogham Tree Alphabet include the “Ogham Tract” and 14th Century “Book of Ballymote” transcribed by George Calder as “Auraicept na n’Eces” – named after the opening lines meaning “primer of the poets” or “beginning of the lessons.”

All modern Ogham Tree systems revived for ‘New Age‘ practices derive from the Scholar’s Primer. The Ogham origins, however, are from the Tower of Babel and attributed to the “god” OGMA SUN-FACE, Patron to Bardic Druids (poets, writers, scribes and artists) and the “Mercurial” messenger current that appears elsewhere with Nabu, Merlyn, Thoth, Hermes, and so forth.

VISIT –> THE NEW FOREST CENTRE OF PHERYLLT DRUIDISM

BOOKS OF FFERYLLT (Pheryllt Vol 1 + 2)

BOOKS OF FFERYLLT (Pheryllt Vol 1 + 2)

OGMA, a man well skilled in speech and poetry, invented the Ogham. The cause of its invention, as proof of his ingenuity, that this speech should belong to the learned alone, to the exclusion of rustics and herdsmen.
–Auraicept na n’Eces

In ancient Keltia, the Druid Order consisted of learned men, those educated in Bardic Arts: cosmology, native history, legendary history of heroes and spirituality, penal laws and punishments, geography, healing, botanical medicine, astronomy, astrology and magic. It is no wonder the Bard is viewed as transmitter or catalyst of awen, the essence, divine spark or spirit of inspiration that the Greeks termed gnosis. It is to the ‘ebb and flow’ of the awen field that the poetic genius of Bards is attributed.

“–So Ceridwen took to the crafts of the Book of Pheryllt to boil a cauldron of Awen…”


Preservation of ancient knowledge is key among the elite. This Ancient Mystery Tradition is timeless and spans all locations on the globe. Its fundamentals and the connection between history and future is based in “language,” “communication” and above all, the written word. The “poetic genius” of AWENthe Divine Spark of Creation – manifests throughout all creative arts as the spirit of “prophecy,” an ability to observe experience with a heightened awareness and communicate it in the World of Form.

THE BOOK OF PHERYLLT (VOL 2) reveals an incredible “Druid Database” – the original mainframe – of knowledge and wisdom that unified the Celtic lands for at least a millennium and forever shaped the consciousness of the planet thereafter.

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Mardukite New Year Rituals of Ancient Babylonian Akiti / Akitu Spring Equinox Festival

The Processional Way in Ancient Babylon for the New Years Akiti / Akitu (Zagmuk) Festival

The Processional Way of MARDUK and NABU in Ancient Babylon for the New Years Akiti / Akitu (Zagmuk) Festival

THE BOOK OF ZAGMUK (available in Babylonian Magick, Wizards of the Wastelands or the Ceremonial Color Edition) is the Official Mardukite-Anunnaki companion to the Babylonian New Year Festival, known as Akitu (Akiti) or Zagmuk, originally available exclusively to the modern Mardukite Research Organization and Mardukite Chamberlains.


Deluxe Color Edition

Deluxe Color Edition

THE BOOK OF ZAGMUK BY NABU (forthcoming as a pocket companion) is a specially prepared ceremonial text with selected ‘tablet collections’ that combine materials from the Mardukite Wizards of the Wastelands in conjunction with critical excerpts from Joshua Free’s NECRONOMICON ANUNNAKI BIBLE, essentially comprising the internal methods of the ‘Order of Nabu‘ to establish Mardukite ‘religious’ continuity in Babylon and MARDUK’s royal legitimacy at the height of the Babylonian pantheon using the Babylonian New Year Festival, Akitu (Akiti) or Zagmuk.

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“The Babylonian observation of the annual (solar) year starts with the ‘Mardukite’ observation of ‘zagmuk’ – meaning ‘the beginning of the year’ or ‘new year’. This 12-day festival is fixed to arrange its height at the beginning of the month of Nissanu, the ‘Spring Equinox’ or March 21st, also coinciding with the beginning of the astrological wheel, when the sun enters Aries.” The Book of Zagmuk by Nabu

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The festival is significant for its contributions toward solidifying both the religious and political paradigms of ‘Mardukite’ Babylon. The festival is also known by its Sumerian-derived Akkadian name – A.KI.TI or A.KI.TU – meaning ‘On Earth, Life’. This large public festival observance is a reconfirmation of the supremacy of MARDUK and the Babylonian Pantheon and is probably the single most important ancient ‘holiday’ for the tradition.

BabylonianMagickCSpbCVRcrop After the time of gods had come and gone, the priests and kings continued to observe the ceremonial customs using representative statuary to symbolized the ‘divine’ forms of Marduk and Nabu as they make a procession through the streets of Babylon and are placed in the temples to witness a dramatic reenactment of the Enuma Elis and other rites and rituals that commemorate the ‘Mardukite’ tradition (paradigm) and seal the position of the priests and king as the ‘chosen’ ambassadors and intermediaries between the ‘gods’ of heaven and the people of earth.


NEW WEBSITE !!! –> CyberVamps.com

NATIONAL MARDUKITE NEXGEN CONVOCATION
THE GATHERUM IS COMING
AUGUST 2017


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